The Lovels of ArdenBraddon, M. E. (Mary Elizabeth)
General
The Lovels of Arden
Braddon, M. E. (Mary Elizabeth)
England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction
Clarissa came upon Mr. Fairfax unawares in the glazed colonnade upon which
the ball-room opened, where he was standing alone, staring moodily at a
tall arum lily shooting up from a bed of ferns, when she approached on
her partner's arm, taking the regulation promenade after a waltz. The
well-remembered profile, which had grown sharper and sterner since she had
seen it for the first time, struck her with a sudden thrill, half pleasure,
half terror. Yes; she was pleased to see him; she, the wife of Daniel
Granger, felt her heart beating faster, felt a sense of joy strangely
mingled with fear. In all the occupations of her life, even amidst the
all-absorbing delight of her child's society, she had not been able quite
to forget this man. The one voice that had touched her heart, the one face
that had haunted her girlish dream, came back to her again and again in
spite of herself. In the dead of the night she had started up from her
pillow with the sound of George Fairfax's familiar tones in her ears; in
too many a dream she had acted over again the meeting in the orchard, and
heard his voice upbraiding her, and had seen his face dark and angry in
the dim light. She had done her duty to Daniel Granger; but she had not
forgotten the man she had loved, and who had loved her after his fashion;
and often in her prayers she had entreated that she might never see him
again.
Her prayers had not been granted--perhaps they did not come so entirely
from the heart, as prayers should, that would fain bring a blessing. He was
here; here to remind her how much she had loved him in the days gone by--to
bewilder her brain with conflicting thoughts. He turned suddenly from that
gloomy contemplation of the arum lily, and met her face to face.
That evening-dress of ours, which has been so liberally abused for its
ugliness, is not without a certain charm when worn by a handsome man.
A tall man looks taller in the perfect black. The broad expanse of
shirt-front, with its delicate embroidery, not obtrusively splendid, but
minutely elaborate rather, involving the largest expenditure of needlework
to produce the smallest and vaguest effect--a suspicion of richness, as it
were, nothing more; the snowy cambric contrasts with the bronzed visage
of the soldier, or blends harmoniously with the fair complexion of the
fopling, who has never exposed his countenance to the rough winds of
heaven; the expanse of linen proclaims the breadth of chest, and gives a
factitious slimness to the waist. Such a costume, relieved perhaps by
the flash of some single jewel, not large, but priceless, is scarcely
unbecoming, and possibly more aesthetic in its simplicity than the
gem-besprinkled brocades and velvets of a Buckingham, in the days when men
wore jewelled cloaks on their shoulders, and point d'Alencon flounces round
their knees.
Public-domain text, read in full here on John Shaqi.
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