The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
As part of his war on Krishna and young boys, the tyrant Kansa sends
various demons to harry and kill them, the present picture showing four
stages in one such attack. To the right, the cowherd children, divided
into two parties, face each other by an ant-hill, Krishna with arms
crossed heading the right-hand group and Balarama the left. Concealed as a
cowherd in Krishna's party, the demon Pralamba awaits an opportunity of
killing Balarama. The second stage, in the right-hand bottom corner, shows
Balarama's party giving the other side 'pick-a-backs,' after having been
vanquished in a game of guessing flowers and fruit. The third stage is
reached in the top left-hand corner. Here Pralamba has regained his demon
form and is hurrying off with Balarama. Balarama's left hand is tightly
clutched but with his right he beats at the demon's head. The fourth and
final stage is illustrated in the bottom left-hand corner where Balarama
has subdued the demon and is about to slay him.
The picture departs from the normal version, as given in the _Bhagavata
Purana,_ by showing Balarama's side, instead of Krishna's, carrying out
the forfeits. According to the _Purana_, it was Krishna's side that lost
and since Pralamba was among the defeated, he was in a position to take
Balarama for a ride. It is likely, however, that in view of the other
episode in the _Purana_ in which Krishna humbles his favourite cowgirl
when she asks to be carried (Plate 14), the artist shrank from showing
Krishna in this servile posture so changed the two sides round.
[Illustration]
PLATE 10
_The Forest Fire_
Illustration to an incident from the _Bhagavata Purana_
Basohli, Punjab Hills, c. 1680
Karl Khandalavala collection, Bombay
Under Raja Kirpal Pal (c. 1680-1693), painting at Basohli attained a
savage intensity of expression--the present picture illustrating the style
in its earliest and greatest phase. Surrounded by a ring of fire and with
cowherd boys and cattle stupefied by smoke, Krishna is putting out the
blaze by sucking the flames into his cheeks. Deer and pig are bounding to
safety while birds and wild bees hover distractedly overhead.
During his life among the cowherds, Krishna was on two occasions
confronted with a forest fire--the first, on the night following his
struggle with Kaliya the snake when Nanda, Yasoda and other cowherds and
cowgirls were also present and the second, following Balarama's encounter
with the demon Pralamba (Plate 10), when only cowherd boys were with him.
Since Nanda and the cowgirls are absent from the present picture, it is
probably the second of these two occasions which is illustrated.
For a reproduction in colour of this passionately glowing picture, see
Karl Khandalavala, _Indian Sculpture and Painting_ (Bombay, 1938) (Plate
10).
[Illustration]
PLATE 11
_The Stealing of the Clothes_
Illustration to the _Bhagavata Purana_
Kangra, Punjab Hills, c. 1790
J.K. Mody collection, Bombay
Public-domain text, read in full here on John Shaqi.
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