Such an account gives us what the _Mahabharata_ epic did not give--a detailed description of Krishna's career. It confirms the epic's view of Krishna as a hero and fills in many gaps concerning his life at Dwarka, his relations with the Pandavas, his life as a feudal prince and finally, his death. It makes clear that throughout the story Krishna is an incarnation of Vishnu and that his main reason for being born is to aid the good and kill demons. At the same time, it shows him in two important new lights--firstly, as one whose youth was spent among cowherds, in circumstances altogether different from those of a prince and secondly, as a delightful lover of women, who explores to the full the joys of sexual love. The second role characterizes him both as cowherd and prince but with important differences of attitude and behaviour. As a prince, Krishna is wedded first to Rukmini and then to seven other wives, observing on each occasion the requisite formalities. Even the sixteen thousand one hundred girls whom he rescues from imprisonment receive this formal status. With all of them Krishna enjoys a variety of sexual pleasures and their love is moral, respectable and approved. Krishna the prince, in fact, is Krishna the husband. Krishna the cowherd, on the other hand, is essentially a lover. The cowgirls whose impassioned love he inspires are all married and in consorting with them he is breaking one of the most solemn requirements of the moral code. The first relationship has the secure basis of conjugal duty, the second the daring adventurousness of romantic passion.