The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
The following incidents will illustrate this process. Radha would be
described as one day taking her curds and milk to a village the farther
side of the river Jumma. Krishna hears of her expedition and along with
other cowherd boys waylays Radha and her friends and claims a toll. Radha
refuses to pay but at last offers to make a token gift provided he ferries
them over. Meanwhile a cowherd boy has hidden the boat and night is coming
on. It is now too late to return so the girls have no alternative but to
stay with Krishna. They lie down by the bank but in the darkness give
Krishna not only the toll but also their souls and bodies.
In another poem, Krishna is shown pestering the cowgirls for curds. Radha
decides to stand this no longer and partly in jest dresses herself up as a
constable. When Krishna next teases the girls, she descends upon him,
catches him by the wrist and 'arrests' him as a thief.[61]
It is in the poems of Chandi Das, however, that Krishna's most daring
ruses are described. Having once gained admittance to Radha's house by
dressing himself as a cowgirl, he is shown pretending to be a
flower-seller. He strings some flowers into a bunch of garlands, dangles
them on his arm and strolls blandly down the village street. When he
reaches Radha's house, he goes boldly in and is taken by Radha into a
corner where she starts to bargain. Krishna asks her to let him first
adorn her with a garland and then she can pay him. Radha agrees and as he
slips a garland over her head, Krishna kisses her. Radha suddenly sees who
it is and holds his hand.
On another occasion, Radha is ill from love and is lying at home on her
bed. Krishna thereupon becomes a doctor and goes from house to house
curing the sick. So successful are his cures that Radha also is tempted to
consult the new doctor and sends a maid to call him, Krishna comes but
before entering adopts a wild disguise--putting his clothes on inside out,
matting his hair with mud, and slinging a bag of roots and plants over his
shoulder. As he enters, he sits on Radha's bed, lifts her veil, gazes
intently at her face and declares that certainly she is very ill indeed.
He then takes her pulse and says, 'it is the water of love that is rotting
her heart like a poison.' Radha is elated at this diagnosis, rouses
herself and stretches her limbs. 'You have understood my trouble,' she
says. 'Now tell me what I am to do.' 'I feel somewhat diffident at
explaining my remedy,' replies the doctor, 'But if I had the time and
place, I could ease your fever and cure you utterly.' As he says this,
Radha knows that he is Krishna and this is only another of his reckless
wiles designed to bring him near her.
But it was less in the recording of new incidents than in lyrical
descriptions of Radha and Krishna, their physical charms and ecstatic
meetings, that the poets excelled.
i
Public-domain text, read in full here on John Shaqi.
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