The Luck of Roaring Camp and Other Tales: With Condensed Novels, Spanish and American Legends, and Earlier PapersHarte, Bret
General
The Luck of Roaring Camp and Other Tales: With Condensed Novels, Spanish and American Legends, and Earlier Papers
Harte, Bret
Frontier and pioneer life -- West (U.S.) -- Fiction; Western stories
I listened; there was no sound but the soughing of the roadside trees in
the evening wind. I endeavored to reassure him, with such success that
in a few moments the old weak smile appeared on his benevolent face.
“Why?”—But the look of interrogation was succeeded by a hopeless
blankness.
“Why?” I repeated with assuring accents.
“Why,” he said, a gleam of intelligence flickering over his face, “is
yonder moon, as she sails in the blue empyrean, casting a flood of light
o’er hill and dale, like—Why,” he repeated, with a feeble smile,
“is yonder moon, as she sails in the blue empyrean”—He
hesitated,—stammered,—and gazed at me hopelessly, with the tears
dripping from his moist and widely opened eyes.
I took his hand kindly in my own. “Casting a shadow o’er hill and dale,”
I repeated quietly, leading him up to the subject, “like—Come, now.”
“Ah!” he said, pressing my hand tremulously, “you know it?”
“I do. Why is it like—the—eh—the commodious mansion on the Limehouse
Road?”
A blank stare only followed. He shook his head sadly.
“Like the young men wanted for a light, genteel employment?”
He wagged his feeble old head cunningly.
“Or, Mr. Ward,” I said, with bold confidence, “like the mysterious
disappearance from the Kent Road?” The moment was full of suspense. He
did not seem to hear me. Suddenly he turned.
“Ha!”
I darted forward. But he had vanished in the darkness.
CHAPTER III
NO. 27 LIMEHOUSE ROAD
It was a hot midsummer evening. Limehouse Road was deserted save by
dust and a few rattling butchers’ carts, and the bell of the muffin and
crumpet man. A commodious mansion, which stood on the right of the road
as you enter Pultneyville, surrounded by stately poplars and a high
fence surmounted by a cheval de frise of broken glass, looked to
the passing and footsore pedestrian like the genius of seclusion and
solitude. A bill announcing in the usual terms that the house was to let
hung from the bell at the servants’ entrance.
As the shades of evening closed, and the long shadows of the poplars
stretched across the road, a man carrying a small kettle stopped and
gazed, first at the bill and then at the house. When he had reached the
corner of the fence, he again stopped and looked cautiously up and
down the road. Apparently satisfied with the result of his scrutiny, he
deliberately sat himself down in the dark shadow of the fence, and
at once busied himself in some employment, so well concealed as to be
invisible to the gaze of passers-by. At the end of an hour he retired
cautiously.
But not altogether unseen. A slim young man, with spectacles and
notebook, stepped from behind a tree as the retreating figure of the
intruder was lost in the twilight, and transferred from the fence to his
notebook the freshly stenciled inscription, “S—T—1860—X.”
CHAPTER IV
COUNT MOSCOW’S NARRATIVE
Public-domain text, read in full here on John Shaqi.
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