With such scenes before my eyes and such sounds in my ears, as I lie lazily in the boat, is mingled the song of my gondolier, who sings to the music of his oars. It is not quite as romantic as his brother of the Lido might improvise, but my Yankee Giuseppe has the advantage of earnestness and energy, and gives a graphic description of the terrors of the past week and of noble deeds of self-sacrifice and devotion, occasionally pointing out a balcony from which some California Bianca or Laura had been snatched, half-clothed and famished. Giuseppe is otherwise peculiar, and refuses the proffered fare, for—am I not a citizen of San Francisco, which was first to respond to the suffering cry of Sacramento? and is not he, Giuseppe, a member of the Howard Society? No, Giuseppe is poor, but cannot take my money. Still, if I must spend it, there is the Howard Society, and the women and children without food and clothing at the Agricultural Hall. I thank the generous gondolier, and we go to the Hall,—a dismal, bleak place, ghastly with the memories of last year’s opulence and plenty,—and here Giuseppe’s fare is swelled by the stranger’s mite. But here Giuseppe tells me of the “Relief Boat” which leaves for the flooded district in the interior, and here, profiting by the lesson he has taught me, I make the resolve to turn my curiosity to the account of others, and am accepted of those who go forth to succor and help the afflicted. Giuseppe takes charge of my carpetbag, and does not part from me until I stand on the slippery deck of Relief Boat No. 3. An hour later I am in the pilot-house, looking down upon what was once the channel of a peaceful river. But its banks are only defined by tossing tufts of willow washed by the long swell that breaks over a vast inland sea. Stretches of tule land fertilized by its once regular channel, and dotted by nourishing ranchos, are now cleanly erased. The cultivated profile of the old landscape had faded. Dotted lines in symmetrical perspective mark orchards that are buried and chilled in the turbid flood. The roofs of a few farmhouses are visible, and here and there the smoke curling from chimneys of half-submerged tenements shows an undaunted life within. Cattle and sheep are gathered on Indian mounds, waiting the fate of their companions, whose carcases drift by us or swing in eddies with the wrecks of barns and outhouses. Wagons are stranded everywhere where the tide could carry them. As I wipe the moistened glass, I see nothing but water, pattering on the deck from the lowering clouds, dashing against the window, dripping from the willows, hissing by the wheels, everywhere washing, coiling, sapping, hurrying in rapids, or swelling at last into deeper and vaster lakes, awful in their suggestive quiet and concealment.