I noticed, as she spoke, that her eyes wandered hungrily to the Georgian
dinner table, and I suggested that after we had had a look at the top
floor we should go and get some lunch. An idea had suddenly occurred to
me of steak pudding at the "Cheshire Cheese". Mrs. D., I felt, would
appreciate the homeliness of that place of entertainment.
There's a nice little furnished flat on the top floor of the Museum
which would suit me "down to the ground," as Mrs. D. expresses it. One
is not allowed to go inside and explore, and from where I stood I could
only catch tantalising glimpses of the three rooms it contained. In one
was an old four-poster standing cosily in a corner that seemed made to
hold it. To the right, through an open door, I caught a slant glimpse of
a fine apartment in which stood a magnificent old carved sideboard, two
ancient wooden chairs, and some pictures in oval gilt frames on the
panelled walls.
An opening into the third room, of which I could see just a corner lit
by a small-paned window, excited my curiosity still more. The flat had
no doubt been so staged with an idea of enhancing its desirableness. A
touch of mystery is as provocative in a house as it is in a woman. What
old Wemmick did with his drawbridge and his cannon is an instance of
what can be done by condescending to make believe.
As I continued to stare, a face appeared at the small-paned window
lighting the mysterious room. It was Mrs. Darling's face, grimacing
mischievously. How did she get there? I walked to the end of the
corridor and turned to the left, turned again, and behold, the secrets
of room three were revealed. A prim faded apartment with an open
spinet, old wooden chairs standing stiffly against the panelled wall, an
alcove in which old china was ranged, and needlework pictures.
Mrs. Darling had again disappeared, and I stood for some time taking
stock of the contents of the room three and room two from this new point
of vantage. I was rather sorry I had wrested their secrets from them.
All Mrs. D.'s fault. It was just like her to find a prosaic solution
whilst I was making mysteries out of nothing. There she was again,
signalling from the spot where I had stood a few minutes before. She
seemed to be inviting me to a game of hide and seek, but a sense of
dignity, and fear of the attendants, prevented my accepting the
challenge.
Public-domain text, read in full here on John Shaqi.
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