The Lyrical Dramas of Aeschylus Translated into English VerseAeschylus
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The Lyrical Dramas of Aeschylus Translated into English Verse
Aeschylus
Aeschylus -- Translations into English; Mythology, Greek -- Drama
"Zeus, though his proper region is above, yet, by reason of his perfect
concord with his brother in the moral government of the world, exercises
authority also in Hades"--KL. This is one of the many instances to be
found in Homer and Æschylus of the Monotheistic principle of an
enlightened Deism controlling and overruling the apparent confusion and
anarchy of Polytheism.
Note 31 (p. 111).
"Ye that honoured reign below."
What the true reading of the corrupt original here is, no one can know;
but it may be some satisfaction to the student to note that the
different readings of all the emendators bring out substantially the
same sense. I give the various translations as follows:--
_You, whose dreaded power_
_The infernal realms revere, ye Furies, hear me!_--POT.
O ye powers that are honoured among the dead, listen to my prayer.--E.
P., Oxon.
Höret ihr Herrscher der Tiefe, hört mich.--DROY.
Höret mich Erd, und des Abgrund's mächte!--FR.
Neither this "Earth," nor my "Furies," can be looked on as part of the
text. They are only put in to fill up a gap, where nothing better can be
done.
Note 32 (p. 111).
"And if blithe confidence awhile."
This passage is desperate. I follow PEILE in the translation; though,
if I were editing the Greek, I should prefer to follow WELL. and
PAL. in doing nothing.
Note 33 (p. 111).
"The mother gave her child
This wolfish nature wild."
This translation, which is supported by PEILE, and PAL., and LIN.,
seems to me to give θυμὸς that reference to Orestes which connects it
best with the previous lines, while it, at the same time, gives the
least forced explanation of ἐκ μάτρος.
Note 34 (p. 112).
"Like a Persian mourner."
The student will find a very remarkable difference between this version
and that in POT. and E. P. Oxon., arising from the conversion of the
word πολεμιστρίας into ἰηλεμιστρίας, a conjectural emendation which we
owe to HERMANN and AHRENS, and which appears to me to be one of the
most satisfactory that has ever been made on the text of Æschylus. It
has, accordingly, been adopted by KL., PEILE, PAL., FR., and
DROY. The oriental wailers were famous, and the "Maryandine and
Mysian wailers" are especially mentioned by our poet in the final
chorus of "the Persians;" which will be the best commentary on the
exaggerated tone of the present passage. I have followed the recent
German editors and translators in giving the first part of this Strophe
to the Chorus. There seems to be a natural division at the words Ἰὼ, Ἰὼ
δαία.
{365}
Note 35 (p. 112).
_Orestes_. WELL. has certainly made a great oversight in running on
continuously with these two Strophes. However the division be made, a
new person must commence with Αέγεις πατρώϊον μόρον.
Note 36 (p. 113).
Public-domain text, read in full here on John Shaqi.
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