The Lyrical Dramas of Aeschylus Translated into English VerseAeschylus
General
The Lyrical Dramas of Aeschylus Translated into English Verse
Aeschylus
Aeschylus -- Translations into English; Mythology, Greek -- Drama
Earth, or GAEA, as the Greeks name her, is described here, and in
Pausanias (X. 5), as the most ancient prophetess of Delphi, for two
reasons; _first_, because out of the earth came those intoxicating fumes
or vapours, by the inspiration of which the oracles were given forth
(see Diodorus XVI. 26); _second_, because, as SCHOEMANN well observes,
GAEA, as the aboriginal divine mother, out of whose womb all the
future celestial genealogies were developed, necessarily contained in
herself the law of their development, and is accordingly represented by
Hesiod as exercising a prophetic power with regard to the fates of the
other gods.--(Theog. 463, 494, 625). The same writer remarks with equal
ingenuity and truth, that Themis, her successor in the prophetic office,
is only a personification of that law of development which, by necessity
of her divine nature, originally lay in Gaea; and I would remark,
further, how admirable the instinct was of those old mythologists, who
placed LOVE and RIGHT, and other ineradicable feelings or notions of
the human mind, among the very oldest of the gods. It is notable also,
that previous to Apollo, all the presidents of prophecy at
Delphi--including the famous Phemonoe, not mentioned here but by
Pausanias l. c., were women, and even Loxias himself could not give forth
oracles without the help of a Pythoness. There is a great fitness in
this, as women are naturally both more pious and more emotional than
men. Hence their peculiar fitness for exercising prophetic functions, of
which ancient Germany was witness--(see Cæsar B.C. I. 50).
Note 2 (p. 141).
". . . rocky Delos' lake."
There can be no question that SCHÜTZ was right in translating λίμνη,
in this passage, _lake_ (and not _sea_, as ABRESCH did), it being
impossible that a well-informed Athenian, on hearing this passage in
the theatre, should not understand the poet to refer to the circular
lake in Delos, described by Herodotus in II. 170.
Note 3 (p. 141).
"The Sons of Vulcan pioneer his path."
_i.e._ "The Athenians"--Scholiast--"who," adds STAN., "were called
the sons of Vulcan, because they were skilled in all the arts of which
Vulcan and Pallas were patrons; or, because Erichthonius, from whom the
Athenians were descended, was the son of Vulcan;" with which latter view
Müller and Schoemann concur; and it appears to me sufficiently
reasonable. There is no reason, however, for not receiving, along with
this explanation, another which has been given, that the sons of the
fire-god mean "smiths." Artificers of this kind were necessary to
pioneer the path for the procession of the god in the manner here
described, and would naturally form, at least, a part of the convoy.
{374}
Note 4 (p. 141).
". . . Loxias, prophet of his father Jove."
Public-domain text, read in full here on John Shaqi.
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