The Lyrical Dramas of Aeschylus Translated into English VerseAeschylus
General
The Lyrical Dramas of Aeschylus Translated into English Verse
Aeschylus
Aeschylus -- Translations into English; Mythology, Greek -- Drama
bark, all huddled together promiscuously (ἔφυρον εικῆ πάντα!) amid much
smoke and dirt. _Some also live in caves._" I do by no means assert,
however, that these creatures are remnants of primeval humanity,
according to the development theory; I only say they afford that theory
a historic analogy; while, on the other hand, they are equally
consistent with the commonly received Christian doctrine, as man is a
creature who degenerates from excellence much more readily in all
circumstances than he attains to it. These Australians and Africans may
be mere imbecile stragglers who have been dropt from the great army of
humanity in its march.
Note 32 (p. 195).
"Numbers, too,
I taught them (a most choice device)."
"The Pythagorean tenets of Æschylus here display themselves. It was one
of the doctrines attributed to this mysterious sect that they professed
to find in numbers, and their combinations, the primordial types of
everything cognisable by the mind, whether of a physical or moral
nature. They even spoke of the soul as a number."--PROW. But, apart
from all Pythagorean notions, we may safely say--from observation of
travellers indeed certainly affirm--that there is nothing in which the
civilized man so remarkably distinguishes himself from the savage, as in
the power to grasp and handle relations of number. The special reference
to Pythagoras in this passage is, I perceive, decidedly rejected by
SCHOE.; BERGK. and HAUPT., according to his statement, admitting
it. Of course, such a reference in the mind of the poet can never be
_proved_; only it does no harm to suppose it.
Note 33 (p. 196).
". . . the fire-faced signs."
(φλογωπὰ σήματα). PROWETT refers this to _lightning_; but surely, in
the present connection, the obvious reference is to the sacrificial
flame, from which, as from most parts of the sacrificial ceremony, omens
were wont to be taken. When the flame burned bright it was a good omen;
when with a smoky and troublous flame, the omen was bad. See a
well-known description of this in Sophocles' Antigone, from the mouth of
the blind old diviner Tiresias, when he first enters the stage, v. 1005;
and another curious passage in Euripides' Phœniss. 1261.
Note 34 (p. 196).
"And who is lord of strong Necessity?"
Public-domain text, read in full here on John Shaqi.
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