The Madness of Philip, and Other Tales of ChildhoodBacon, Josephine Daskam
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The Madness of Philip, and Other Tales of Childhood
Bacon, Josephine Daskam
Children -- Fiction
His offering was acceptable, and if, on the renewal of an acquaintance
destined to grow into a gratifying intimacy, he learned from bitter
experience that more than one subject was tabooed, that more than one
sudden emotion must expect no answering sympathy, how was he to evade
the tribulations of his kind? This cup was prepared for them from the
beginning. If earthly bliss were flawless, should we concern ourselves
at all with heaven?
That day she met him on her walk, and smiling almost fearlessly, offered
him a camel animal cracker! True, the most obvious projection was bitten
off, and that process is the best part of animal crackers; but then, she
was only seven! It is not an age to which one looks for the most
brilliant altruism.
He gave her in return a long-cherished cane-top of polished wood, cut in
the shape of a greyhound’s head, with eyes of orange-colored glass. She
seemed almost to appreciate it. He had been offered a white mouse for it
more than once.
For two long months the Little God led him along the primrose way. The
poor fellow thought it was the main road; he had yet to learn it was but
a by-path. But the Little God was not through with him.
Her brother, an uninteresting fellow at first, had improved on
acquaintance, and though he scoffed at Dicky’s devotion to his
sister—thinking her a great baby—he had come to consider him a friend.
One day, late in April, he led Dick out to a deserted corner of the
grounds, and for the sum of a small red top and a blue glass eye that
had been a doll’s most winning feature, consented to impart to him a
song of such delicious badness that it had to be sung in secret. He had
just learned it himself, and the knowledge of it admitted one to a sort
of club, whose members were bound together by the vicious syllables.
Dicky was pleasantly uncertain of its meaning, but it contained words
that custom has banished from the family circle. They crooned it
fearfully, with faces averted from the house, and an exhilarating sense
of dissipation.
[Illustration: “’_Yelly belly, yelly belly._’”]
“_Yellow belly, yellow belly, come an’ take a swim!
Yes, by golly, when the tide comes in!_”
As he slipped back to the house alone, practising it furtively and
foretasting the joys of imparting it to Peter, the stableman, Cecelia
appeared suddenly from behind a large tree. She was all smiles—she was
not afraid of him any more. Dancing lightly on one foot, she waved her
bonnet and began to sing, bubbling with laughter. Horror! What did he
hear?
“_Yelly belly, yelly belly, comin’ take a thwim!
Yith, by——_”
“Oh, stop! Cissy, stop it! You mustn’t sing that!” he cried wildly.
She looked elfish.
“Why not? Dicky thingth it,” she said with a happy smile.
She had a heavenly habit, left from babyhood, of referring to her
interlocutor and occasionally to herself in the third person.
“But girls mustn’t sing it,” he warned her sternly. “Don’t you dare
to—it’s a secret.”
Public-domain text, read in full here on John Shaqi.
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