Often some strange, quaint, or bizarre design seen in the shop of a dealer in antiques will make a peculiar and individual appeal to the observer, and will be chosen by him as his personal amulet, as though fate had destined the object for his special use. So we are told that Mr. Augustin Osman, the artist, secured possession of a singular gold ornament representing a human skull; upon it was figured in opals the word “Ave.” On the first night after the acquisition of this object, the artist had a vivid dream, in which the impression was conveyed to him that he would always enjoy good fortune as long as the golden skull remained in his possession. Evidently the opals took nothing in his opinion from the luck-producing quality of this grewsome ornament; indeed, it seems more probable that they added to it. [Illustration: THE BIRTH OF THE OPAL Autographed for this work by the authoress, Ella Wheeler Wilcox ] A curious modern talisman is the work of M. Charles Rivaud, who has frequently exhibited splendid specimens of artistic jewelry at the Paris Salon; this talisman cleverly combines artistic merit with a dash of African magic. It is a slender bracelet composed of interlaced spirals of oxidized silver and gold; around the circlet is twined a hair taken from an elephant. Among the tribesmen of the Soudan the hairs of this animal are believed to be endowed with great talismanic virtue; indeed, they enjoyed a similar repute among the ancient Romans. Whether this belief was due to the idea that the wearer of the hair was assured a mighty protection, typified by the enormous strength of the elephant, or whether to the fact that the elephant was with some peoples a divine symbol, we cannot easily determine. The opal has long since emerged from the slight cloud of disfavor due to a most erroneous fancy that it was in some way associated with ill-luck. This idea, possibly in its origin explainable by the comparative fragility of the gem, found a consistent and earnest opponent in the late Queen Victoria, whose influence did much to make opals fashionable. Of late years they have become favorite bridal gifts, the exceptional variety of color in the beautiful examples from the White Cliff mines in New South Wales, having also contributed to the renewed popularity of the stone. A parure of these opals was not long since bestowed upon the Empress Augusta by Emperor William of Germany, and one of the finest Australian opals is a treasured possession of the Duchess of Marlborough.