The Magic of SpainBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
The Magic of Spain
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Spain -- Description and travel; Spanish literature -- History and criticism
Scholasticism had become a dry and stilted system, well qualified to
call down ridicule on all learning. Its professors delighted in
hairsplitting and quibbles. Luis de León speaks with a scathing sarcasm
of the type of professor who said that he was ... “content with a
knowledge of St. Thomas and the Saints ... and had no wish for any new
learning (_novedades_);” of those who “flatter themselves and fancy
that, because they have in their rooms a score of books covered with
dust, and have obtained the degree of master of arts, they have well
earned the name of men of letters, and may for the rest give themselves
up quite securely to sleep and good living ... and they consider that
the mere fact of having the books and dipping into some part of them
once a year bestows on them a knowledge of St. Thomas and the Saints.”
But the new spirit of inquiry and reform led those who belonged to the
old school to fence themselves the more closely with narrow and bigoted
beliefs, to cling to conventionalities of dogma, and to cry out on the
most innocent innovations. Violent attacks on Scholasticism had the
effect of showing more moderate attempts at reform in an odious light.
Suspicions were everywhere rife, and it required no little care to avoid
the accusation of being anxious for “new things.” The highest
ecclesiastics were not exempt from attack. Carranza, the Archbishop of
Toledo, had spent a certain number of years in England. In 1556 he had
visited Oxford and found it Catholic, _la encontró católica_, but in the
following year at Cambridge he burnt many heretical books and English
Bibles. On his return to Spain he was thought to have been contaminated
by contact with so many heretics, though he boasted that he had done
more than any other in discovering them.
II.--SALAMANCA UNIVERSITY
Public-domain text, read in full here on John Shaqi.
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