The Magician's Show Box, and Other StoriesTappan, Caroline Sturgis
Science
The Magician's Show Box, and Other Stories
Tappan, Caroline Sturgis
Children's stories; Fairy tales
“But here was a person who set every one off at a respectful distance,
himself among the rest, and yet preserved their relation to himself
and each other by encouraging their peculiarities, outside of that
limit, and set us all agoing by placing us at the right point of view,
with, in some mysterious way, the common sense of the whole party as
spectator; so that we were like figures in a landscape, which, while
we were looking at them, I knew, without knowing why, to be ourselves.
“Even grandmother, who always comes dead upon a stranger, and there is
no shaking her off, could not get within the charmed circle, but had
to keep in her orbit; and really she appeared like quite an
entertaining old lady, and all the more so for her peculiar style of
conversation, which is apt to be the family consternation at table.
Our little group that evening reminded me of a system of stars
revolving around each other, with a general motion of the whole in
reference to some point without, which I had a sense of, though I did
not understand it; but I felt sure that our stranger did; and this, I
think, was what attracted me towards him, for I felt the need of
something out of the sphere of everlasting praises for wretched little
drawings, which I knew were only good so far as their defects showed
there was something better. Now, he stood on the outside of all the
things that he drew, and I knew he could see them as they were.”
“I am sure I am on the outside of all you are saying,” interrupted
Kate. “Which of us was it who hoped to get rid of moralizing by
calling upon Nora for a story?”
“Pictures themselves, as Anna said, may perhaps have no moral; at
least, they are not so prosy in telling it as I am; but those who have
no moral, no idea, are not usually the persons who paint them. But I
see I have been going out of my province; for a picture, whatever else
it may be, should be intelligible, and the painter's account of
himself ought to be no less so. So I will not tell you how I learned
from one person, who had a place to stand upon, how nothing can be
seen as it is by one who has none. I have at least learned to prefer
standing on my feet to having even so excellent a teacher as Mr. Moran
for palanquin bearer.”
“No doubt he would be glad if we all would relieve him, in the same
way, of a burden which he carries with such resignation,” said
Anna. “But he certainly will be much indebted to you for the valuable
information you can give him in regard to your fixed point, although I
believe the only point he thinks of when here, is that on the clock,
which marks the end of his hour.”
Public-domain text, read in full here on John Shaqi.
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