The Magnificent Montez: From Courtesan to ConvertWyndham, Horace
History
The Magnificent Montez: From Courtesan to Convert
Wyndham, Horace
Montez, Lola, 1818-1861
In addition to his editorial labours (which were not unduly exacting),
Hull was employed by the Government on census work, preparing
statistics of the rapidly increasing population. But Lola, much to his
annoyance, did not add to his figures for the Registrar-General's
return. The footlights proved a stronger lure than maternity; and,
almost immediately after her marriage, she accepted an engagement at
one of the theatres, where she appeared as Lady Teazle. A countess in
that part of the world being a novelty, the public rallied to the
box-office in full force and "business" was phenomenal. Still,
competition there, as elsewhere. Some of it, too, of a description
that could not be ignored. Thus, Ole Bull was giving concerts at the
Opera House, and causing hardened diggers to shed tears when he played
"Home Sweet Home" to them on his violin; Edwin Booth, "supported by a
powerful company," was mouthing Shakespeare, and tearing passion to
tatters in the process; and a curious freak, billed as "Zoyara, the
Hermaphrodite" (with a "certificate of genuineness, as to her
equestrian skill and her virtues as a lady, from H.M. the King of
Sardinia") was cramming the circus to capacity every afternoon and
evening. Yet, notwithstanding His Majesty's "certificate," it is a
fact that its recipient "married" a woman member of the troupe. "The
long sustained deception has been dropped," says a paragraphist, "and
the young man who assumed the name of 'Madame Zoyara' is now to be
seen in correct masculine attire."
Still, despite all this, Lola kept her public. After all, a countess
was a countess. But, before long, there was a difference of opinion
with the manager of the theatre in which she was appearing. Lola, who
never brooked criticism, had "words" with him. High words, as it
happened; and, flourishing her whip in his face, she tore up her
contract and walked out of the building.
"Get somebody else," she said. "I'm through."
The difference of opinion appears to have arisen because Lola elected
to consider herself "insulted" by a member of the audience while she
was dancing, and the manager had not taken her part. The next evening,
accordingly, she made a speech in public, giving him a "bit of her
mind." The result was, declared the _San Francisco Alta_, "the
Countess came off the victor, bearing away the _bravas_ and bouquets.
At the conclusion of her address she was hailed by thunderous cheers,
amid which she smiled sweetly, dropped a curtsey, and retired
gracefully."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account