The Magnificent Montez: From Courtesan to ConvertWyndham, Horace
History
The Magnificent Montez: From Courtesan to Convert
Wyndham, Horace
Montez, Lola, 1818-1861
"The haunts of villainy in Sydney are not surpassed by those
in Melbourne; but, with regard to drunkenness and
prostitution, the latter place is far worse than Sydney. The
Theatre Royal contains within itself four separate
drinking-bars. The Cafe de Paris, in the same building, has
two bars. In the theatre itself there is a drinking public
every night, especially when the house is crowded. Between
every act it is the custom of the audience to rush out for a
nobbler of brandy. The only exceptions are the occupants of
the dress-circle, more especially when the Governor is
present."
By the way, the "List of Beverages" shows that, in proof of her
popularity, a "Lola Montez Appetiser," consisting of "Old Tom, ginger,
lemon and hot water," was offered to patrons.
Alcohol was not alone among the objects at which "Orion" Horne tilted.
He also disapproved of cricket. "The mania," he says, "for bats and
balls in the boiling sun during last summer exceeded all rational
excitement. The newspapers caught the epidemic, and, while scarcely
noticing other far more useful games, they devoted columns upon
columns to minute accounts of the matches of a hundred different
clubs. The very walls of Melbourne became infected. On the return of
the Victorians from Sydney, a reporter for the _Herald_ designated
them 'the laurelled warriors.' If there is no great harm in this, the
thing has been carried too far."
It is just as well, perhaps, for Horne's peace of mind that the
present day value attached to "Ashes" had not arisen, and that an
Australian XI did not visit England until another twenty years had
passed.
III
After Melbourne, the next step in Lola's itinerary was Geelong. The
programme she offered there was a generous one, for it included a
"Stirring drama, entitled, _Maidens, Beware!_ and the elegant and
successful comedy, _The Eton Boy_," to which were added a "sparkling
comedietta" and a "laughable farce." This was good value. The Geelong
critic, however, did not think very much of the principal item in this
bill. "It has," he observed solemnly, "an impossible plot, with
situations and sentiments quite beyond the understanding of us
barbarians."
This supercilious attitude was not shared by the simple-minded
diggers, who found _Maidens, Beware!_ very much to their taste. But
nothing else could have been expected, for it offered good measure of
all the elements that ensure success every time they are employed.
Thus, the hero is wrongfully charged with a series of offences
committed by the villain; a comic servant unravels the plot when it
becomes intricate; and the heroine only avoids "something worse than
death" by proving that a baronet, "paying unwelcome addresses," (but
nothing else) has forged a will.
Public-domain text, read in full here on John Shaqi.
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