The Magnificent Montez: From Courtesan to ConvertWyndham, Horace
History
The Magnificent Montez: From Courtesan to Convert
Wyndham, Horace
Montez, Lola, 1818-1861
The great statute, "tit-for-tat," is, I believe, equally the law of
all nations; besides, love is a great leveller of distinction, and it
is in this levelling mission that it performs some of its most
ridiculous antics. When a rich man's daughter runs off with her
father's coachman, as occasionally happens, the whole country is in a
roar of laughter about it. There is an innate, popular perception of
the ridiculous, but everybody sees and feels that in such cases it is
misplaced and grotesque. Everyone perceives that the woman's heart has
taken the bit in its mouth, and run away with her brains. But, as
comedy is often nearly allied to tragedy, so sorrow is sure to come as
soon as the little honeymoon is over. This romantic love cannot
flourish in the soil of poverty and want. Indeed, all the stimulants
which pride and luxury can administer to it can hardly keep it alive.
The rich miss who runs away with a man far beneath her in education
and refinement must inevitably awake, after a brief dream, to a state
of things which have made her unfortunate for life; and he, poor man,
will not be less wretched, unless she has brought him sufficient money
to give him leisure and opportunity to indulge his fancies with that
society which is on a level with his own tastes and education.
WITS AND WOMEN OF PARIS
The French wits tell a laughable story of an untravelled Englishman
who, on landing at Calais, was received by a sulky red-haired hostess,
when he instantly wrote down in his note-book: "All French women are
sulky and red-haired."
We never heard whether this Englishman afterwards corrected his first
impressions of French women, but quite likely he never did, for there
is nothing so difficult on earth as for an Englishman to get over
first impressions, and especially is this the case in relation to
everything in France. An aristocratic Englishman may live years in
Paris without really knowing anything about it. In the first place, he
goes there with letters of introduction to the Faubourg St. Germain,
where he finds only the fossil remains of the old _noblesse_,
intermixed with a slight proportion of the actual intelligence of the
country, and here he moves round in the stagnant circles of historical
France, and it is a wonder if he gets so much as a glimpse of the
living progressive Paris. There is nothing on earth, unless it be a
three-thousand-year-old mummy, that is so grim and stiff and
shrivelled, as the pure old French nobility. France is at present the
possessor of three separate and opposing nobilities. First, there is
the nobility of the Empire, the Napoleonic nobility, which is based on
military and civil genius; second, there is the Orleans nobility, the
family of the late Louis-Philippe, represented in the person of the
young Comte de Paris; third, the Legitimists, or the old aristocracy
of the Bourbon stock, represented in the person of Henry V, Duc de
Bordeaux, now some fifty years old, and laid snugly away in exile in
Italy.
Public-domain text, read in full here on John Shaqi.
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