The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 2: Books 4, 5, 6 and 7
General
The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 2: Books 4, 5, 6 and 7
Epic literature, Sanskrit
vigilant at the same time.” Having heard these words of Vishnu, words
that were true, and pleasant like ambrosia to their ears, the gods, with
their preceptor, and with the Rishis proceeded to that spot where Indra
was uneasy with fear. And there, O king, was performed a great
horse-sacrifice, capable of removing the sin of Brahmanicide, for the
purification of the high-minded and great Indra. And the lord of the
gods, O Yudhishthira, divided the sin of Brahmanicide among trees and
rivers and mountains and the earth and women. And having distributed it
thus among those beings and parted with it, Indra was free from fever.
And rid of his sin, he came to himself. And at that place, the slayer of
the Asura Vala, quaked when he looked at Nahusha, before whom all
animated beings felt cowed, and who was unapproachable by virtue of the
boon the Rishis had granted to him. And the divine husband of Sachi
vanished from sight once again. And invisible to all beings, he wandered
biding his time. And Indra having disappeared, Sachi fell into grief. And
exceedingly miserable, she bewailed, “Alas! O Indra, if ever I have made
a gift, or made offering to the gods, or have propitiated my spiritual
guides, if there is any truth in me, then I pray that my chastity may
remain inviolate. I bow myself to this goddess Night,--holy, pure,
running her course during this the northern journey of the sun,[1] let my
desire be fulfilled.” Saying this, she, in a purified condition of body
and soul, worshipped the goddess Night. And in the name of her chastity
and truth she had recourse to divination.[2] And she asked, “Show me the
place where the king of the gods is. Let truth be verified by truth.” And
it was thus that she addressed the goddess of Divination.’”
SECTION XIV
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account