This is not flattering; but one can imagine something very like it coming from the lips of an Italian Maestro in our own day. The tradition goes that Gregory himself instructed the choristers, for whom he had established schools endowed each with its little property, one in the precincts of St. Peter's, the other in those of St. John Lateran, where his own residence was. And a couch is still shown on which he lay while giving or superintending their lessons, and even the whip with which he is said to have threatened the singers when they made false notes. The last is little in accord with the Pope's character, and we can scarcely imagine the twang through the air of any whip in Gregory's hand: but it is probably as true as other more agreeable circumstances of the legend. One can scarcely believe however that amid his multitudinous occupations he could have had time for more than a flying visit to the schools, however they might interest him. Nor did he limit his exertions on behalf of ritual to the arrangement of the music. We are told that the Missal of Pope Gelasius then used in the Church was revised by him, and that he took away much, altered some things and added a little, among other things a confession of faith or _Credo_ of his own writing, which is something between the Athanasian and Nicene Creeds. The Ordinary of the Mass remains now, another authority tells us, very much as it came from his hands. Thus his immediate authority and the impress of his mind remain on things which are still in daily use. [Illustration: MONTE PINCIO, FROM THE PIAZZA DEL POPOLO.]