The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
There came however a time when the Pope's suffering and emaciated body
could bear no longer that charge which was so burdensome. He had been
ill for many years, suffering from various ailments and especially
from weakness of digestion, and he seems to have broken down
altogether towards the year 601. Agelulphus thundering at his gates
had completed what early fastings and the constant work of a laborious
life had begun, and at sixty Gregory took to his bed, from which, as
he complains in one of his letters, he was scarcely able to rise for
three hours on the great festivals of the Church in order to celebrate
Mass. He was obliged also to conclude abruptly that commentary on
Ezekiel which had been so often interrupted, leaving the last vision
of the prophet unexpounded, which he regretted the more that it was
one of the most dark and difficult, and stood in great need of
exposition. "But how," he says, "can a mind full of trouble clear up
such dark meanings? The more the mind is engaged with worldly things
the less is it qualified to expound the heavenly." It was from Ezekiel
that Gregory was preaching when the pestilence which swept away his
predecessor Pelagius was raging in Rome, and when, shutting the book
which was no longer enough with its dark sayings to calm the troubles
of the time, he had called out to the people, with a voice which was
as that of their own hearts, to repent. All his life as Pope had been
threaded through with the study of this prophet. He closed the book
again and finally when all Rome believed that another invasion was
imminent, and his courage failed in this last emergency. It is curious
to associate the name of such a man, so full of natural life and
affection, so humorous, so genial, so ready to take interest in
everything that met his eyes, with these two saddest figures in all
the round of sacred history, the tragic patriarch Job, and the exiled
prophet, who was called upon to suffer every sorrow in order to be a
sign to his people and generation. Was it that the very overflowing of
life and sympathy in him made Gregory seek a balance to his own
buoyant spirit in the plaints of those two melancholy voices? or was
it the misfortunes of his time, so distracted and full of miserable
agitation, which directed him at least to the latter, the prophet of a
fallen nation, of disaster and exile and penitence?
Public-domain text, read in full here on John Shaqi.
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