Accordingly on the eve of Easter, when the penitents assembled under the porch of the great Church of St. John Lateran, amid all the wild and haggard figures appearing there, murderers and criminals of all kinds, the delicate Fabiola, with her hair hanging about her shoulders, ashes on her head and on the dark robe that covered her, her face pale with fasting and tears, stood among them, a sight for the world. Under many aspects had all Rome seen this daughter of the great Fabian race, in the splendour of her worldly espousals, and at all the great spectacles and entertainments of a city given up to display and amusement. Her jewels, her splendid dresses, her fine equipages, were well known. With what curiosity would all her old admirers, her rivals in splendour, those who had envied her luxury and high place, gather to see her now in her voluntary humiliation, descending to the level of the very lowest as she had hitherto been on the very highest apex of society! All Rome we are told was there, gazing, wondering, tracing her movements under the portico, among these unaccustomed companions. Perhaps there might be a supreme fantastic satisfaction to the penitent--with that craving for sensation which the exhaustion of all kinds of triumphs and pleasures brings--in thus stepping from one extreme to the other, a gratification in the thought that Rome which had worshipped her beauty and splendour was now gazing aghast at her bare feet and dishevelled hair. One can have no doubt of the sensation experienced by the _Tota urbe spectante Romana_. It was worth while frequenting religious ceremonies when such a sight was possible! Fabiola,--once with mincing steps, and gorgeous liveried servants on either hand, descending languidly the great marble steps from her palace to the gilded carriage in which she sank fatigued when that brief course was over, the mitella blazing with gold upon her head, her robe woven with all the tints of the rainbow into metallic splendour of gold and silver threads. And now to see her amid that crowd of ruffians from the Campagna, and unhappy women from the purlieus of the city, her splendid head uncovered, her thin hands crossed in the rough sleeves of the penitent's gown! It might be to some perhaps a salutary sight--moving other great ladies with heavier sins on their heads than Fabiola's to feel the prickings of remorse; though no doubt it is equally possible that they might think they saw through her, and the new form of self-exhibition which attracted all the world to gaze. We are not told whether Fabiola found refuge in the house on the Aventine with Marcella, who had lit the fire of Christian faith in her heart as well as in that of Paula: or whether she remained, like Marcella, in her own house, making it another centre of good works. But at all events her life from this moment was entirely given up to charity and spiritual things. Her kinsfolk and noble neighbours still more or less