England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century; Journalists -- Fiction
“We’re not,” said Eddy, “going on a down-with-anybody tack. Our _métier_
is to encourage the good, not to discourage anyone. That, as I remarked
before, is why we shall sell so extremely well.”
Mrs. Crawford said, “Humph. It sounds to me a trifle savourless. A
little abuse hasn’t usually been found, I believe, to reduce the sales
of a paper appreciably. We most of us like to see our enemies hauled
over the coals; or, failing our enemies, some innocuous and eminent
member of an unpopular and over-intelligent race. In short, we like to
see a fine hot quarrel going on. If _Unity_ isn’t going to quarrel with
anyone, I shall certainly not subscribe.”
“You shall have it gratis,” said Eddy. “It is obviously, as the eminent
rationalist puts it, precisely what you need.”
Nevill said, “By the way, what’s happening to that Radical paper of poor
Hugh Datcherd’s? Is it dead?”
“Yes. It couldn’t have survived Datcherd; no one else could possibly
take it on. Besides, he financed it entirely himself; it never anything
near paid its way, of course. It’s a pity; it was interesting.”
“Like it’s owner,” Mrs. Crawford remarked. “He too, one gathers, was a
pity, though no doubt an interesting one. The one failure in a
distinguished family.”
“I should call all the Datcherds a pity, if you ask me,” said Nevill.
“They’re wrong-headed Radicals. All agnostics, too, and more or less
anti-church.”
“All the same,” said his aunt, “they’re not failures, mostly. They
achieve success; even renown. They occasionally become cabinet
ministers. I ask no more of a family than that. You may be as
wrong-headed, radical, and anti-church as you please, Nevill, if you
attain to being a cabinet minister. Of course they have disadvantages,
such as England expecting them not to invest their money as they would
prefer, and so on; but on the whole an enviable career. Better even
than running a paper which meets a long-felt demand.”
“But the paper’s much more fun,” Molly put in, and her aunt returned,
“My dear child, we are not put into this troubled world to have fun,
though I have noticed that you labour under that delusion.”
The young man from the Foreign Office said, “It’s not a delusion that
can survive in my profession, anyhow. I must be getting back, I’m
afraid,” and they all went away to do something else. Eddy arranged to
meet Molly and her aunt at tea-time, and take them to Jane Dawn’s
studio; he had asked her if he might bring them to see her drawings.
They met at Mrs. Crawford’s club, and drove to Blackfriars’ Road.
“_Where_?” inquired Mrs. Crawford, after Eddy’s order to the driver.
“Pleasance Court, Blackfriars’ Road,” Eddy repeated.
“Oh! I somehow had an idea it was Chelsea. That’s where one often finds
studios; but, after all, there must be many others, if one comes to
think of it.”
“Perhaps Jane can’t afford Chelsea. She’s not poor, but she spends her
money like a child. She takes after her father, who is extravagant, like
so many professors.”
Public-domain text, read in full here on John Shaqi.
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