The Making Of A Novelist: An Experiment In AutobiographyMurray, David Christie
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The Making Of A Novelist: An Experiment In Autobiography
Murray, David Christie
Murray, David Christie, 1847-1907; Novelists, English -- 19th century -- Biography
My friendly critics of the London press told me that a middle-aged man
had taken to the stage as a duck takes to water. It was a bit of kindly
nonsense. I had worked like a galley-slave for nine months, and the nine
months of a man of the world is worth the nine years of a boy. And do I
profess to be an actor now? Not a bit of it, my friendly critic--not
a bit of it, in all honesty. But I mean to be. There is no art so
difficult--granted; but there is none so enchanting, so inspiring. Night
after night for a whole week, bar Saturday, when Nature took a late
revenge, I left a sick-room at Newcastle-on-Tyne; and every ache and
pain fell away, and the sick treble changed to a healthy baritone, and
manly strength came to pluck the halting pace of the invalid to marching
time, and a feebly intermittent pulse grew full and calm at the splendid
all-compelling influence of the stage. Had it been a cold lecture, now,
or a speech on politics--and no man loves that kind of exercise more
than I--the armchair and the warm fireside had not reached to me and
beamed on me in vain. But the stage? That was another matter altogether.
It is a better stimulant than the society of old friends. It is a finer
anodyne than tobacco. It is a quicker and more constant pick-me-up than
champagne. Sternest duty and purest pleasure wear one smiling face. And
to think that I was well into the forties before I guessed this splendid
truth!
But Nature is compensatory in everything, and her balance works in this
accessible fairyland as elsewhere. The stage is the natural home of
petty _contretemps_. When a man has dared to play in a piece of his own
writing in a city like London it would be absurd to affect modesty or
a want of belief in his own power to please. If under such conditions
a man had no such faith, he would be an ass beyond the reach of satire.
What else but faith in himself should bring him there? 'Que diable
faisait-il dans _cette_ galère?' Yet the bold amateur intruding is
conscious of a resemblance in himself to the demons mentioned in Holy
Writ He believes (in himself), but he trembles.
Public-domain text, read in full here on John Shaqi.
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