At first she had been used to take the big, high-backed chair at the
head of the table, and spreading out her books, refuse to cast so much
as a look at the sunny world without; but after four or five mornings so
spent she gave in suddenly and betook herself to the little table in the
window, where from her seat she could watch the tall white lilies
swaying in the breeze, or catch the fragrance of the mauve and scarlet
sweet-peas which climbed their hedge just out of sight.
It was weary work, and Toni's eyes and head ached when the luncheon-bell
rang to set her free from her self-imposed task; but she did not give
in, and after her hasty meal she would return to the library and
struggle till tea-time with half a dozen French exercises, which by the
aid of a key she sternly corrected when finished.
When Owen arrived home, shortly before dinner, Toni was worn out with
the combined effects of her mental exertions and her lack of fresh air;
but Owen, who was turning over in his mind the material for a novel, was
not in a mood to notice her unwonted silence, and was relieved when,
after dinner, she went early to bed and set him free to spend the
evening in his sanctum, making notes and generally planning out the book
he felt he could write.
To the novelist there comes, at the inception of a book, a period in
which the things and people around him recede into the background before
the people and things he seeks to create; and it is scarcely to be
wondered at if at these times the writer's vision, which is turned, so
to speak, inward, fails to realize the significance of the scenes being
enacted beneath his mortal eyes.
And it was so with Owen. During that strenuous fortnight of Toni's
laborious study, Owen was so fully occupied with the visions of his
brain that he had little time to spare for the flesh and blood inmate of
his home; and though he was always kind to Toni, he did not notice that
the laughter was absent from her lips, the joyful light of happiness
quenched in her eyes.
The idea of his book was beginning to absorb him very thoroughly.
Hitherto he had never had the time to devote to purely imaginative work;
but now that the _Bridge_ was going ahead and his series of articles for
outside papers was finished, he felt the call of fiction very strongly.
His story was concerned with the conflict between East and West, with
the life of an Indian prince who, after his English education, was
called upon to rule his dead father's kingdom; and Owen's impressions of
India, gathered during a stay of some months in that magic land, formed
a brilliant setting for the half-political, half-romantic story he had
to tell.
Public-domain text, read in full here on John Shaqi.
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