Her voice rang out shrill with indignation, attracting the attention of
everyone around. The children stopped their play to stare; two or three
people stopped their talk to listen. They looked from Patty to Millie,
and back again in shocked surprise. Patty's voice was not so much angry
as it was contemptuous, disgusted. Millie could have better borne anger.
People would then have thought Patty merely a cross child, and have passed
on. Instead of that they looked at her sympathetically, and at Millie
askance.
Millie walked away with her head in the air, but she was furious.
"I'll pay her out!" she thought. "I'll pay her out yet!" She was so
angry she could not get out a retort to Patty. Her words seemed to catch
in her throat and choke her.
Patty walked away to the end of the Quay, and leaned out over the
railings, looking towards the sea. She was disheartened and angry,
and ashamed of herself. She was horribly ashamed of having called out
like that to Millie. It was a mean, common thing to do. She felt she
wanted to get out of sight, to escape the questions and chatter they would
pour into her ears. She would wait where she was until everyone else had
gone home. If anyone followed her, they would soon go away again when
they found she would not talk to them.
She got behind a tall stack of boxes, and turned her back on everyone.
Her face was turned to the sea; her eyes gazed at the heaving waters,
and the sun setting behind them, but her thoughts were with Mona.
"How she did cry, poor Mona! I didn't know she cared for her granny so
much." Then she wondered what they were doing at that moment, and how
Mrs. Barnes was taking her loss. By degrees the sun disappeared
altogether, and twilight began to creep over her world. Gradually the
sounds of play and laughter and gossiping voices ceased. One by one old
folks and young went home.
"I'd better go too," thought Patty, "or mother will be wondering where I
am. Oh, dear, there's my bootlace untied again!" Still standing close to
the edge of the Quay, she had stooped to tie the lace when, suddenly from
behind, she received a blow in the back which sent her completely off her
balance. Reeling forward, she grabbed wildly at the rail to try and save
herself, but missed it, and with a shriek of terror she fell over the edge
and into the water below. With another shriek she disappeared, and the
water closed over her.
Whence the blow came, or how, she had not time to think. It seemed to her
as though the sky had fallen and struck her. She did not hear another cry
which broke from someone's throat as her body disappeared, nor hear or see
Millie Higgins running as though the police were already after her.
Public-domain text, read in full here on John Shaqi.
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