Still more analogous than turning tables to the savage use of inspired
sticks for directing the inquirer to a lost object or to a criminal, is
the modern employment of the divining-rod--a forked twig which, held by
the ends, revolves in the hands of the performer when he reaches the
object of his quest. He, like the savage cited, is occasionally agitated
in a convulsive manner; and cases are quoted in which the twig writhes
when held in a pair of tongs! The best-known modern treatise on the
divining-rod is that of M. Chevreul, 'La Baguette Divinatoire' (1854). We
have also 'L'Histoire du Merveilleux dans les Temps Modernes,' by M.
Figuier (1860). In 1781 Thouvenel published his 600 experiments with
Bleton and others; and Hegel refers to Amoretti's collection of hundreds
of cases. The case of Jacques Aymard, who in the seventeenth century
discovered a murderer by the use of the rod in true savage fashion, is
well known. In modern England the rod is used in the interests of private
individuals and public bodies (such as Trinity College, Cambridge) for the
discovery of water.
Professor Barrett has lately published a book of 280 pages, in which
evidence of failures and successes is collected.[10] Professor Barrett
gives about one hundred and fifty cases, in which he was only able to
discover, on good authority, twelve failures. He gives a variety of tests
calculated to check frauds and chance coincidence, and he publishes
opinions, hostile or agnostic, by geologists. The evidence, as a general
rule, is what is called first-hand in other inquiries. The actual
spectators, and often the owners of the land, or the persons in whose
interest water was wanted, having been present, give their testimony; and
it is certain that the 'diviner' is called in by people of sense and
education, commonly too practical to have a theory, and content with
getting what they want, especially where scientific experts have
failed.[11]
In Mr. Barrett's opinion, the subconscious perception of indications of
the presence of water produces an equally unconscious muscular 'spasm,'
which twirls the rod till it often breaks. Yet 'it is almost impossible to
imitate its characteristic movement by any voluntary effort.' I have
myself held the hands of an amateur performer when the twig was moving,
and neither by sight nor touch could I detect any muscular movement on his
part, much less a spasm. The person was bailiff on a large estate, and,
having accidentally discovered that he possessed the gift, used it when he
wanted wells dug for the tenants on the property.
The whole topic is obscure; nor am I concerned here with the successes or
failures of the divining-rod. But the movements of the twig have never, to
my knowledge, been attributed by modern English performers to the
operation of spirits. They say 'electricity.' Mr. Tylor merely writes:
Public-domain text, read in full here on John Shaqi.
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