It is well known that in many species the male and the female are not coloured alike. Such species are said to exhibit sexual dimorphism. In these cases it is usually the male that is more conspicuously coloured. Darwin felt that the theory of natural selection could not satisfactorily account for this phenomenon, so put forward the supplementary theory of sexual selection. On this hypothesis the females are supposed to be able to pick and choose their mates, and to select the most beautiful and ornamental ones, hence the greater showiness of these in most sexually dimorphic species. Wallace does not accept this theory. He thinks it unnecessary. He looks upon the brilliant colouring of the males as due to their superior vigour; moreover, he says that it is the hen that sits upon the eggs, and so requires a greater degree of protection than the male, and therefore natural selection has not permitted her to develop all the ornaments displayed by the cock. With the phenomenon of sexual dimorphism we shall deal at length in the next chapter. Danger Signals Dr Wallace recognizes yet another exception to the rule that animals are cryptically coloured. Many creatures possess on the body markings which tend to render them conspicuous rather than difficult to see. Where such markings occur on gregarious animals, Wallace believes that they have been evolved by natural selection, either to enable their possessors to recognize one another, or to act as a danger signal to their fellows. The white tail of the rabbit is believed by Wallace to serve as a danger signal. The first member of the company to espy the approaching foe takes to his heels, and, as he moves, his white tail catches the eye of his neighbour, who at once follows him, so that, in less time than it takes to tell, the whole company of rabbits is scampering towards the burrow, thanks to the white under-surface of the tail. Even as Wallace out-Darwin’s Darwin, so does Mr Abbott Thayer, an American naturalist and artist, out-Wallace Wallace. That gentleman seems to be of opinion that _all_ animals are cryptically or, as he calls it, concealingly or obliteratively coloured. Even those schemes of colour which have hitherto been called conspicuous are, he asserts, “purely and potently concealing” when looked at properly, that is to say, with the eye of the artist. Lest it be thought unnecessary to criticize a hypothesis which appears to be based upon the assumption that animals see with the eye of the artist, we may say that Professor Poulton writes approvingly of Thayer’s theory. He frequently alludes to it in his _Essays on Evolution_, and he published an account of it in the issue of _Nature_, dated April 24, 1902. Moreover the hypothesis has been enunciated in such scientific journals as _The Auk_ (1896) and _The Year-Book of the Smithsonian Institution_ (1897).