The MalefactorOppenheim, E. Phillips (Edward Phillips)
General
The Malefactor
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories; Fiction
“It is, nevertheless, true,” he affirmed calmly. “I am living in exile
because I have no friends, because friends have become an impossibility
to me. I shall not tell you any more of my life because you are young
and you would not believe me if I did. Some day,” he added grimly, “you
will probably hear for yourself.”
“I shall never believe anything,” she declared, “which I do not choose
to believe. I shall never believe, for instance, that you are quite what
you think yourself.”
“We will talk of other things,” he said. “Five years ago, you showed
Aynesworth where the seagulls built.”
“And now I will show you,” she exclaimed, “if you are sure that your
head is steady enough. Come along!”...
It was after dinner that she took him into the picture gallery. Miss
Harrison, very much disturbed by the presence of the master of Tredowen,
and still more so by the hint which she had already received as to
coming changes, followed them at a little distance.
“I am so sorry,” Juliet said, “that we have no cigars or cigarettes.”
“I seldom smoke,” Wingrave answered.
“If only we had had the slightest idea of your coming,” Miss Harrison
said for the tenth time, “we would have made more adequate preparations.
The wine cellar, at least, could have been opened. I allowed Mr. and
Mrs. Tresfarwin to go for their holiday only yesterday, and the cellars,
of course, are never touched.”
“Your claret was excellent,” Wingrave assured her.
“I am quite sure,” Miss Harrison said, “that claret from the local
grocer is not what you are accustomed to--”
“My dear madam,” Wingrave protested, “I seldom touch wine. Show me which
picture it is, Juliet, that you--ah!”
She had led him to the end of the gallery and stopped before what seemed
to be a plain oak cupboard surrounded by a massive frame. She looked at
him half fearfully.
“You want to see that picture?” he asked.
“If I might.”
He drew a bunch of keys from his pocket and calmly selected one. It was
a little rusty, but the cupboard turned at once on its hinges. A woman’s
face smiled down upon them, dark and splendid, from the glowing touch
of a great painter. Juliet studied it eagerly, and then stole a sidelong
glance at the man by her side. He was surveying it critically and
without any apparent emotion.
“Herkomer’s, I think,” he remarked. “Quite one of his best.”
“It is your mother?” she whispered.
He nodded.
“I’m not great at genealogy,” he said, “but I can go as far back as
that. She was by way of being a great lady, the daughter of the Duke of
Warminster.”
“You were an only son,” she said softly. “She must have been very fond
of you.”
“Customary thing, I suppose,” he remarked. “Lucky for her, under the
circumstances, that she died young.”
He closed the oaken door in front of the picture, and locked it.
“I should like to see the armory,” he said; “but I really forget--let me
see, it is at the end of the long gallery, isn’t it?”
Public-domain text, read in full here on John Shaqi.
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