“Well it was that he who was to give to our tongue that tune which it was never to lose, whose language, exhaustless in range, in delicacy, force and extent, taking every hue of thought or feeling, of good and base alike, as the sky takes shade or shadow, or as the forest takes storm or calm, was to remain forever the emblem of the multitudinous life, as contrasted with that affected gravity and ossified scholasticism which we so often see--was tempted by no familiarity with ancient writing to any formal rotundity or college-professor mannerism of diction. His audience is the world, and the numbers increase as civilization grows--he moves to-day a broader stratum of human sympathy than any other man who ever lived save one--and this could not have been had he passed into that narrow chamber called a school. And yet no four walls of a college could have held him, for he of all men would have been least apt to prefer the poor glitter of learned paint to God’s sunlight of living smiles. When one thinks how much learning has done to veil genius and impede progress, it is impossible to suppress a sense of satisfaction at the thought that the greatest author of all mankind was not learned! His only teacher was nature, his only need was freedom. Who gave him this?--_a woman_! “Now do not suppose that I have no sympathy with colleges, for no man knows their worth better than I; but it is better to build for eternity than for a Regents’ examination. Another thing you must remember is that Shakespeare was surrounded by no circle of admirers. Healthy, whole-hearted, it never occurred to him to ask what precise position he might occupy in the world of letters. He did his work for the approbation of one alone, and she being pleased he was content. “No jealousy, strife or contention, do you see on that smooth brow; no hate or fear of unjust rivalry. He was monarch of one loving, truthful, trusting heart, so what cared he for popular applause? A prophet has said, ‘Oh, thou foul Circean draught of popular applause, thy end is madness and the grave!’ This most subtle and deadly of all poisons was never mingled in the cup of Shakespeare, and never can be in that of anyone if they work only for the applause of honest love, that can dissemble not. To work for popular applause is to court death; to succeed in winning it, is to be carried to the pinnacle of the temple and cast upon the stones beneath. “If a man toil for the good-will of the multitude, there will come as sure as fate, the time when the egotism of acquirement will render callous day by day all of his finer perceptions, kill his delicate sensibilities, destroy his manhood. No longer will he hold the mirror up to nature; no longer will the ray of light shine through the prism, reflecting the beauty of the rainbow--he is opaque, dead; and the only sound he gives is ego, _Ego_, EGO.