“The young man heard the sentence, smiled softly, and to himself did
say, ‘Oh man, proud man, clothed in a little brief authority, doth cut
such fantastic tricks before high heaven as does make angels weep! Now
for myself I do not care, but the lady forsooth, whose play it is,
or was before ’twas burned--shame on them!--how can I tell her?’ And
so he wandered forth and met but who? Why, Harriette, who sought the
youth full far and wide, for she had heard the news and grieved she was
and sick, fearing the blow might prove too much for him whose play it
was. ‘I care not for myself,’ she said; ‘but how--how can I tell him?’
They met--each read full in the other’s eyes what each would say. Both
smiled and walked away.”
FOOTNOTE:
[2] It is a fact known to all students that Shakespeare was the first
dramatist who wrote the double play--that is, the first plot of high
characters with a second story worked out by the lower or comedy
characters. This peculiarity is now made use of by all writers of
plays. Note, _The Merchant of Venice_, _As You Like It_, _Comedy of
Errors_, etc.
CHAPTER XVII. THOSE TWO.
“The disappointment caused by the harsh rejection of this first play
of William Shakespeare and Harriette Bowenni was not great. Each had
had a more than speaking acquaintanceship with sorrow, and trouble is
only comparative anyway; so they looked upon the matter rather as a
thing to be expected, an amusing circumstance. _They knew the play was
better than the one accepted_, and that was enough. ‘Is not William
Shakespeare just as great as though his name _was_ on the bill board?’
the lady said. Another reason that made them look on the matter lightly
was that each read their fate in the other’s face, and as long as no
separation is threatened love not only laughs at locksmiths but at all
disaster. No awkward love-making scene had ever come between them,
no formal declaration. As he wrote that first night, the young man
unconsciously reached out his hand toward the girl. She took it, and
held it lovingly between her own. When they parted he stooped and their
lips met.
“When next they walked along the street, among other things he said, ‘I
love you, dear.’ The young woman made no sign of surprise, but when
she wrote to him the following day (strange how lovers find excuse to
write so often!), there were terms of endearment, all inserted without
apology. No wooing--no effort at winning--no affected coyness. They
loved, and true love need not be ashamed, for ’tis God’s own gift, and
given only to the worthy.
Public-domain text, read in full here on John Shaqi.
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