The Man from Archangel, and Other Tales of AdventureDoyle, Arthur Conan
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The Man from Archangel, and Other Tales of Adventure
Doyle, Arthur Conan
Adventure stories, English; Physicians -- Fiction
My first interview with Dr. James Winter was under dramatic
circumstances. It occurred at two in the morning in the bedroom of an
old country house. I kicked him twice on the white waistcoat and knocked
off his gold spectacles, while he, with the aid of a female accomplice,
stifled my angry cries in a flannel petticoat and thrust me into a warm
bath. I am told that one of my parents, who happened to be present,
remarked in a whisper that there was nothing the matter with my lungs. I
cannot recall how Dr. Winter looked at the time for I had other things
to think of, but his description of my own appearance is far from
flattering. A fluffy head, a body like a trussed goose, very bandy legs,
and feet with the soles turned inwards--those are the main items which
he can remember.
From this time onwards the epochs of my life were the periodical
assaults which Dr. Winter made upon me. He vaccinated me, he cut me for
an abscess, he blistered me for mumps. It was a world of peace, and he
the one dark cloud that threatened. But at last there came a time of
real illness--a time when I lay for months together inside my
wicker-work basket bed, and then it was that I learned that that hard
face could relax, that those country-made, creaking boots could steal
very gently to a bedside, and that that rough voice could thin into a
whisper when it spoke to a sick child.
And now the child is himself a medical man, and yet Dr. Winter is the
same as ever. I can see no change since first I can remember him, save
that perhaps the brindled hair is a trifle whiter, and the huge
shoulders a little more bowed. He is a very tall man, though he loses a
couple of inches from his stoop. That big back of his has curved itself
over sick beds until it has set in that shape. His face is of a walnut
brown, and tells of long winter drives over bleak country roads with the
wind and the rain in his teeth. It looks smooth at a little distance,
but as you approach him you see that it is shot with innumerable fine
wrinkles, like a last year's apple. They are hardly to be seen when he
is in repose, but when he laughs his face breaks like a starred glass,
and you realise then that, though he looks old, he must be older than he
looks.
Public-domain text, read in full here on John Shaqi.
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