The Man from Glengarry: A Tale of the OttawaConnor, Ralph
History
The Man from Glengarry: A Tale of the Ottawa
Connor, Ralph
Canada -- History -- 19th century -- Fiction; Christian fiction; Glengarry (Ont.) -- Fiction
After the reading of the psalm the minister sat down, and Straight Rory
rose in his box, and after his manner, began feeling about for the first
note of the chant that would introduce the noble old tune “St. Paul's.”
A few moments he spent twisting his face and shoulders in a manner that
threatened to ruin the solemnity of the worshipers under the gallery,
till finally he seemed to hit upon the pitch desired, and throwing back
his head and closing one eye, he proceeded on his way. Each line he
chanted alone, after the ancient Scottish custom, after which the
congregation joined with him in the tune. The custom survived from the
time when psalm-books were in the hands of but few and the “lining” of
the psalm was therefore necessary.
There was no haste to be done with the psalm. Why should there be? They
had only one Sabbath in the week, and the whole day was before them.
The people surrendered themselves to the lead of Straight Rory with
unmistakable delight in that part of “the exercises” of the day in which
they were permitted to audibly join. But of all the congregation, none
enjoyed the singing more than the dear old women who sat in the front
seats near the pulpit, their quiet old faces looking so sweet and pure
under their snow-white “mutches.” There they sat and sang and quavered,
swaying their bodies with the tune in an ecstasy of restful joy.
Maimie had often heard St. Paul's before, but never as it was chanted
by Straight Rory and sung by the Indian Lands congregation that day.
The extraordinary slides and slurs almost obliterated the notes of the
original tune, and the “little kick,” as Maimie called it, at the end of
the second line, gave her a little start.
“Auntie,” she whispered, “isn't it awfully queer?”
“Isn't it beautiful?” her aunt answered, with an uncertain smile. She
was remembering how these winding, sliding, slurring old tunes had
affected her when first she heard them in her husband's church years
ago. The stately movement, the weird quavers, and the pathetic cadences
had in some mysterious way reached the deep places in her heart, and
before she knew, she had found the tears coursing down her cheeks and
her breath catching in sobs. Indeed, as she listened to-day, remembering
these old impressions, the tears began to flow, till Hughie, not
understanding, crept over to his mother, and to comfort her, slipped
his hand into hers, looking fiercely at Maimie as if she were to
blame. Maimie, too, noticed the tears and sat wondering, and as the
congregation swung on through the verses of the grand old psalm there
crept into her heart a new and deeper emotion than she had ever known.
Public-domain text, read in full here on John Shaqi.
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