“Not that, please,” she protested, and fell to whistling softly again,
her chin in her hands. “I can’t sing,” she said, to break an awkward
pause, “and so, when I’m fidgety, or have something on my mind, I
whistle. I hope you don’t dislike it?”
“I love it,” I asserted warmly. I did; when she pursed her lips like
that I was mad to kiss them.
“I saw you—at the station,” she said, suddenly. “You—you were in a
hurry to go.” I did not say anything, and after a pause she drew a long
breath. “Men are queer, aren’t they?” she said, and fell to whistling
again.
After a while she sat up as if she had made a resolution. “I am going
to confess something,” she announced suddenly. “You said, you know,
that you had ordered all this for something you—you wanted to say to
me. But the fact is, I fixed it all—came here, I mean, because—I knew
you would come, and I had something to tell you. It was such a
miserable thing I—needed the accessories to help me out.”
“I don’t want to hear anything that distresses you to tell,” I assured
her. “I didn’t come here to force your confidence, Alison. I came
because I couldn’t help it.” She did not object to my use of her name.
“Have you found—your papers?” she asked, looking directly at me for
almost the first time.
“Not yet. We hope to.”
“The—police have not interfered with you?”
“They haven’t had any opportunity,” I equivocated. “You needn’t
distress yourself about that, anyhow.”
“But I do. I wonder why you still believe in me? Nobody else does.”
“I wonder,” I repeated, “why I do!”
“If you produce Harry Sullivan,” she was saying, partly to herself,
“and if you could connect him with Mr. Bronson, and get a full account
of why he was on the train, and all that, it—it would help, wouldn’t
it?”
I acknowledged that it would. Now that the whole truth was almost in my
possession, I was stricken with the old cowardice. I did not want to
know what she might tell me. The yellow line on the horizon, where the
moon was coming up, was a broken bit of golden chain: my heel in the
sand was again pressed on a woman’s yielding fingers: I pulled myself
together with a jerk.
“In order that what you might tell me may help me, if it will,” I said
constrainedly, “it would be necessary, perhaps, that you tell it to the
police. Since they have found the end of the necklace—”
“The end of the necklace!” she repeated slowly. “What about the end of
the necklace?”
I stared at her. “Don’t you remember”—I leaned forward—“the end of the
cameo necklace, the part that was broken off, and was found in the
black sealskin bag, stained with—with blood?”
“Blood,” she said dully. “You mean that _you_ found the broken end? And
then—you had my gold pocket-book, and you saw the necklace in it, and
you—must have thought—”
“I didn’t think anything,” I hastened to assure her. “I tell you,
Alison, I never thought of anything but that you were unhappy, and that
I had no right to help you. God knows, I thought you didn’t want me to
help you.”
Public-domain text, read in full here on John Shaqi.
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