The Man in Ratcatcher, and Other StoriesMcNeile, H. C. (Herman Cyril)
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The Man in Ratcatcher, and Other Stories
McNeile, H. C. (Herman Cyril)
Detective and mystery stories, English; English fiction -- 20th century
"Heaven knows, my dear!" he answered, irritably. "The man’s an ass, as
I’ve said before."
"But what did he mean about the very human play?" she persisted. "And
the soul regained?"
Before the Soldier could answer, the guide turned, and holding up his
hand demanded silence.
"We approach the stage," he declaimed. "Silence is essential."
He led the way between some trees, and finally halted behind a clump of
low bushes.
"Personally," he whispered, "I am a man of peace, but it struck me from
my rudimentary knowledge of pugilism that the clearing in front was
ideally suited to that brutal form of amusement. And when I suggested
it to Hugh, he quite agreed."
"You suggested it to Hugh!" said the Soldier slowly, and gradually a
look of comprehension began to dawn in his eyes. "Why, Actor-man,
Actor-man, I retract every thought I’ve had about you to-night."
He peered cautiously through the bushes, and a slow smile spread over
his face.
"Tell me, Actor-man," he whispered, "how did you get the other?"
"I howled such insults as I could think of in my poor way through the
window."
Then he, too, cautiously peered over the top of the bush. "What think
you of my show, Soldier-man?"
"It is altogether beautiful and lovely to regard," replied the other.
"Can the Church see?"
And, behold, the Church was lying on its stomach to get a better view.
The moonlight shone down, clear and bright, on the little glade in
front. At the back of it, in the trees, stood young Parker’s house, but
young Parker himself, with an ugly sneer on his face, was engaged in
removing his coat. Facing him stood Hugh Dawnay, and in the cold white
light his eyes shone hard and merciless.
"So you want me to thrash you as well as stop your damned dog poaching,"
laughed young Parker. "All right, you bally jail-bird, come on!"
He rushed in as he spoke and his fist shot out as he closed. The fight
had started, and from that moment no one of the fascinated audience
spoke or moved. Parker was the heavier of the two, but the boy was the
better boxer. In fact, in the strict sense of the word, the young farmer
was not a boxer at all—but he was fit and he was strong. And had it not
been for the two and a half years’ hard manual labour which the other
had gone through, the issue in all probability would have been
different.
As it was they fought all out for five minutes, and then young Parker
grew wild. He became flurried—tried rushing—his fists whirling like
flails. And the more flurried he grew the more cool and collected
became the boy. And then came the end. A right-arm jolt below his
heart brought the farmer’s head forward, a left uppercut under the jaw
laid him out. For a while the spectators watched him moaning on the
ground, while the Church wriggled ecstatically under its sheltering
bush.
"Had enough, you swine?" asked the boy, quietly.
The prostrate figure mumbled something.
Public-domain text, read in full here on John Shaqi.
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