The Man in Ratcatcher, and Other StoriesMcNeile, H. C. (Herman Cyril)
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The Man in Ratcatcher, and Other Stories
McNeile, H. C. (Herman Cyril)
Detective and mystery stories, English; English fiction -- 20th century
"I hit him first on the head with an over-ripe pear, which I threw
through the window. A wonderful shot—not once in a hundred times would
I do it again. And as he jumped up from the table where he was sitting,
I spoke to him from my heart."
"Yes," grinned the Soldier. "And what did you say?"
"I said, ’You dirty louse—you maimer of little dogs—come out and fight,
unless you’re a coward as well as a swine.’ Then," murmured the Actor,
"I ran as fast as I could, for fear he might mistake his opponent and
start on me."
For a space there was silence, while the Army and the Church shook
hopelessly, and the Stage impressively lit a cigar. And it was as he
deposited the match in an ash-tray on the table that he saw the piece of
paper lying in front of him. He read what was written on it, and then
he turned slowly and looked at the other two.
"So that’s what he was doing under the yew tree," he said, softly.
"Dear lad! Why, yes, he’s a dear lad."
"Of course he is," returned the Soldier, gruffly. "What the devil did
you think?"
It was under the yew tree that the boy and the girl met. She was
kneeling there, her frock gleaming white in the moonlight as Hugh came
through the trees, and for a time he watched her without speaking. Two
and a half years—more—since he had seen her, and now it seemed to him
that she was more lovely than ever. His eyes took in every detail of
her, as she bent forward and laid both her hands on the little grave,
and, suddenly, with a great wave of wonder, he realized that all the
bitterness had gone from his soul. The past was blotted out—sponged from
the slate; he was alive again, and the present—why, the present held out
beckoning hands of welcome.
"Beryl," he whispered very low, but not so low that she failed to hear
him.
"Why, Hugh, dear," she answered. "I was afraid you’d go away without
seeing me."
"I should, if—Tommy had been alive."
He knelt beside her, and together they rearranged two or three of the
stones.
"I put a bit of paper here," he said, after a moment.
"I found it," she answered. "That’s how I knew you were here—first.
Oh! Hugh"—almost unconsciously she found herself in his arms—"poor
little chap! And I’d been telling him all last week he’d be seeing you
soon."
"You darling!" The boy’s voice was husky. "He knows—Tommy knows."
And so for a while they clung together, while the scent of the summer
flowers drifting idly by mingled with the scent of her hair.
"If he’d been here, Beryl, I was going to take him," he said, at last.
"I was bitter—dear heavens! but I was bitter. I felt I didn’t even want
to see you. We were going hunting together—just he and I—out in the
wilds."
"And now, boy," whispered the girl, "are you bitter any more?"
"No," he answered, wonderingly. "I’m not. Because, Beryl, because I’ve
thrashed that swine who killed him. Something seemed to snap in me as
he went down and out, and I was conscious of a sort of marvellous
happiness."
Public-domain text, read in full here on John Shaqi.
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