The man in the street: Papers on American topicsNicholson, Meredith
General
The man in the street: Papers on American topics
Nicholson, Meredith
American essays -- 20th century
I shall not give comfort to the enemy by any admission that our
novelists lack culture in the sense that Turgenieff and the great
French masters possessed it. A matter of which I may complain with more
propriety is their lack of “information” (and I hope this term is
sufficiently delicate) touching the tasks and aims of America. We have
been deluged with “big” novels that are “big” only in the publishers’
advertisements. New York has lately been the scene of many novels,
but the New York adumbrated in most of them is only the metropolis as
exposed to the awed gaze of provincial tourists from the rubber-neck
wagon. Sex, lately discovered for exploitation, has resulted only in
“arrangements” of garbage in pink and yellow, lightly sprinkled with
musk.
As Rosinante stumbles over the range I am disposed to offer a few
suggestions for the benefit of those who may ask where, then, lies the
material about which our novelists are so deficient in “information.”
No strong hand has yet been laid upon our industrial life. It has been
pecked at and trifled with, but never treated with breadth or fulness.
Here we have probably the most striking social contrasts the world has
ever seen; racial mixtures of bewildering complexity, the whole flung
against impressive backgrounds and lighted from a thousand angles.
Pennsylvania is only slightly “spotted” on the literary map, and yet
between Philadelphia and Pittsburgh, nearly every possible phase and
condition of life is represented. Great passions are at work in the
fiery aisles of the steel mills that would have kindled Dostoiefsky’s
imagination. A pillar of cloud by day and of fire by night marks
a limitless field for the earnest fictionist. A Balzac would find
innumerable subjects awaiting him in the streets of Wilkesbarre!
At this point I must bemoan the ill-fortune that has carried so many
American fiction writers to foreign shores. If Hawthorne had never
seen Italy, but had clung to Salem, I am disposed to think American
literature would be the richer. If fate had not borne Mr. Howells to
Venice, but had posted him on the Ohio during the mighty struggle of
the ’60’s, and if Mr. James had been stationed at Chicago, close to the
deep currents of national feeling, what a monumental library of vital
fiction they might have given us! If Mrs. Wharton’s splendid gifts had
been consecrated to the service of Pittsburgh rather than New York and
Paris, how much greater might be our debt to her!
Business in itself is not interesting; business as it reacts upon
character is immensely interesting. Mineral paint has proved to be an
excellent preservative for _The Rise of Silas Lapham_, which remains
our best novel of business. But if paint may be turned to account, why
not cotton, wool, and the rest of the trade catalogue, every item with
its own distinct genesis? In _The Turmoil_ Mr. Tarkington staged, under
a fitting canopy of factory smoke, a significant drama of the conflict
between idealism and materialism.
Public-domain text, read in full here on John Shaqi.
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