The man in the street: Papers on American topicsNicholson, Meredith
General
The man in the street: Papers on American topics
Nicholson, Meredith
American essays -- 20th century
It is the fashion to attribute to the automobile and the motion-picture
all social phenomena not otherwise accounted for. The former has
undoubtedly increased our national restlessness, and it has robbed the
evening lamp of its cosey bookish intimacy. The screen-drama makes
possible the “reading” of a story with the minimum amount of effort.
A generation bred on the “movies” will be impatient of the tedious
methods of writers who cannot transform character by a click of the
camera, but require at least four hundred pages to turn the trick. It
is doubtful whether any of the quasi-historical novels that flourished
fifteen and twenty years ago and broke a succession of best-selling
records would meet with anything approximating the same amiable
reception if launched to-day. A trained scenario-writer, unembarrassed
by literary standards and intent upon nothing but action, can beat the
melodramatic novelist at his own game every time. A copyright novel of
adventure cannot compete with the same story at ten cents or a quarter
as presented in the epileptic drama, where it lays no burden upon the
beholder’s visualizing sense. The resources of the screen for creating
thrills are inexhaustible; it draws upon the heavens above, the earth
beneath, and the waters under the earth; and as nothing that can be
pictured can be untrue--or so the confiding “movie” patron, unfamiliar
with the tricks of the business, believes--the screen has also the
great advantage of plausibility.
The silent drama may therefore exercise a beneficent influence, if it
shall prove to have shunted into a new channel of publication great
numbers of stories whose justification between covers was always
debatable. Already many novels of this type have been resurrected by
the industrious screen producers. If, after the long list has been
exhausted, we shall be spared the “novelization” of screen scenarios
in the fashion of the novelized play, we shall be rid of some of the
débris that has handicapped the novelists who have meekly asked to be
taken seriously.
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