The man in the street: Papers on American topicsNicholson, Meredith
General
The man in the street: Papers on American topics
Nicholson, Meredith
American essays -- 20th century
On the day that I made my choice I saw a child of three playing in
the grass plot before the brown bungalow. It was Saturday afternoon,
and the typical young freeholder was doing something with an axe near
the woodshed, and even as I surveyed the scene the domestic picture
was completed by the appearance of the inevitable young woman, who
came from the direction of the trolley-terminus, carrying the usual
neat card-case in her hand. Here was exactly what I wanted--a chance
to study at close hand the bungalow type, and yet, Landor Lane was
so quiet, its trio of houses so distributed, that I might enjoy that
coveted detachment so essential to contemplative observation and wise
judgments.
“I’ve forgotten,” mused the architect, as we viewed the scene together,
“whether the chap in that brown bungalow is Redmond, the patent
lawyer, or Manderson, the tile-grate man. There’s a baby of about the
same vintage at both houses. If that isn’t Redmond over there showing
Gladstonian prowess with the axe, it’s Manderson. Woman with child and
cart; number 58; West Gallery; artist unknown.” It pleased my friend’s
humor to quote thus from imaginary catalogues. “Well, I don’t know
whether those are the Redmonds or the Mandersons; but come to think of
it, Redmond isn’t a lawyer, but the inventor of a new office system by
which profit and loss are computed hourly by a device so simple that
any child may operate it. A man of your cloistral habits won’t care
about the neighbors, but I hope that chap isn’t Redmond. A man who
will think up a machine like that isn’t one you’d expose perfectly
good garden hose to, on dark summer nights.”
II
A Japanese boy who was working his way through college offered to
assume the responsibilities of my housekeeping for his board. Banzai
brought to the task of cooking the deft hand of his race. He undertook
the purchase of furniture to set me up in the bungalow, without asking
questions--in itself a great relief. In a week’s time he announced that
all was in readiness for my transfer, so that I made the change quite
casually, without other impedimenta than a portfolio and a suitcase.
On that first evening, as Banzai served my supper--he was a past
master of the omelet--I enjoyed a peace my life had not known before.
In collecting material for my earlier sketches I had undeniably
experienced many discomforts and annoyances; but here was an adventure
which could hardly fail to prove pleasant and profitable.
Public-domain text, read in full here on John Shaqi.
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