The Man-Made World; Or, Our Androcentric CultureGilman, Charlotte Perkins
General
The Man-Made World; Or, Our Androcentric Culture
Gilman, Charlotte Perkins
Women -- Social and moral questions; Women -- Social conditions
Or still more severely, "Out with you, sir! You've forfeited your right
to marry! Go into retirement for seven years, and when you come back
bring a doctor's certificate with you."
That sounds ridiculous, doesn't it--for "Society" to say? It is
ridiculous, in a man's "society."
The required dress and decoration of "society"; the everlasting eating
and drinking of "society," the preferred amusements of "society," the
absolute requirements and absolute exclusions of "society," are of men,
by men, for men,--to paraphrase a threadbare quotation. And then, upon
all that vast edifice of masculine influence, they turn upon women
as Adam did; and blame _them_ for severity with their fallen sisters!
"Women are so hard upon women!"
They have to be. What man would "allow" his wife, his daughters, to
visit and associate with "the fallen"? His esteem would be forfeited,
they would lose their "social position," the girl's chance of marrying
would be gone.
Men are not so stern. They may visit the unfortunate women, to bring
them help, sympathy, re-establishment--or for other reasons; and it
does not forfeit their social position. Why should it? They make the
regulation.
Women are to-day, far more conspicuously than men, the exponents and
victims of that mysterious power we call "Fashion." As shown in mere
helpless imitation of one another's idea, customs, methods, there is
not much difference; in patient acquiescence with prescribed models of
architecture, furniture, literature, or anything else; there is not
much difference; but in personal decoration there is a most conspicuous
difference. Women do to-day submit to more grotesque ugliness and
absurdity than men; and there are plenty of good reasons for it.
Confining our brief study of fashion to fashion in dress, let us observe
why it is that women wear these fine clothes at all; and why they change
them as they do.
First, and very clearly, the human female carries the weight of sex
decoration, solely because of her economic dependence on the male. She
alone in nature adds to the burdens of maternity, which she was meant
for, this unnatural burden of ornament, which she was not meant for.
Every other female in the world is sufficiently attractive to the male
without trimmings. He carries the trimmings, sparing no expense of
spreading antlers or trailing plumes; no monstrosity of crest and
wattles, to win her favor.
She is only temporarily interested in him. The rest of the time she is
getting her own living, and caring for her own young. But our women get
their bread from their husbands, and every other social need. The woman
depends on the man for her position in life, as well as the necessities
of existence. For herself and for her children she must win and hold him
who is the source of all supplies. Therefore she is forced to add to
her own natural attractions this "dance of the seven veils," of the
seventeen gowns, of the seventy-seven hats of gay delirium.
Public-domain text, read in full here on John Shaqi.
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