This, too, is what takes place in our own day. Hypnotism exists to prove
how many times, even under our very eyes, a scientific notion may be
renewed, and each time taken for a new discovery. Every age is not
equally ripe for inventions without precedents, or with too few; and
those which are not ripe, are incapable of perceiving their inaptitude
for adopting them. In Italy, for twenty years, the man who had
discovered pellagrozeine was looked upon by the authorities as a madman.
At the present day the academic world, always composed of intelligent
mediocrities, laughs at criminal anthropology, is mildly sarcastic
towards hypnotism, and looks on homœopathy as a joke. Perhaps even my
friends and myself, in laughing at spiritualism, are misled by the
misoneism latent in us all, and, like hypnotised persons, are utterly
unable even to perceive that such is the case.
Misery is often the stimulus of genius. It was necessity rather than
natural inclination which drove Dryden to become an author. Goldsmith,
when he had knocked at every door in vain, took to writing. And so again
and again.
It is true also that extreme misery frequently ruins genius. It placed
immense difficulties in the way of Columbus. George Stephenson’s steam
engine would have been an abortion, if he had not been enabled at great
sacrifice to educate his son. Meyerbeer, who produced so laboriously,
and whose genius cannot be explained apart from his Italian journeys and
life, would have been in a deplorable condition without wealth.
Many men of genius, on the other hand, have been spoilt by wealth and
power. Jacoby has shown that unlimited power hastens degeneration, and
tends to produce megalomania and dementia in those who possess it.
The influence of education has been investigated less than it deserves.
Without the school, many believe there would be no genius. What, it is
said, would have become of Metastasio, if he had not been picked up and
educated? Giotto would merely have amazed the shepherds of his native
valleys by daubing the walls of some chapel. Paganini would have been
unheard of. Pitré, in his admirable book, _Usi e costumi della Sicilia_,
writes at length of certain wonderful poetasters, who narrate fantastic
lays of knighthood to the people of Palermo, yet they can neither read
nor write. Who knows what they would do if they were educated?
Those who have been among the mountains know the works produced by
certain shepherds. They are made with coarse instruments, yet they
reveal marvellous taste and delicacy. Such men give us the impression of
so many aborted Michelangelos; they are men of genius who have lacked
the opportunity of manifesting themselves.
Public-domain text, read in full here on John Shaqi.
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