The conception of the morbid and degenerative character of genius is
confirmed and completed more and more when its isolated phenomena are
subjected to a more rigorous examination, and, as in chemical reactions,
to mutual contact. If, in fact, we analyze the lives and works of those
great diseased minds which have become famous in history, we find that
they can at once be distinguished by many characteristic traits from the
average man, and also, in part, from other geniuses, who have completed
their life’s orbit without trace of madness.
I. These insane geniuses have scarcely any character. The full, complete
character, “which bends not for any winds that blow,” is the distinctive
mark of honest and sound-minded men.
Tasso, on the contrary, declaims against courts, and yet, even to his
last hour, we find him perpetually coming back to beg their grudging
favours. Cardan accuses himself of lying, evil-speaking, and gambling.
Rousseau, though so sensitive, abandons to want the tenderest and
kindest of friends, casts off his children, calumniates others and
himself, and apostatizes three times over--from Catholicism, from
Protestantism, and, what is worse, from the religion of philosophy.
Swift, though an ecclesiastic, wrote the obscene poem of the loves of
Strephon and Chloe, and belittled the church of which he was a
dignitary, though his pride reached the proportions of delirium.
Lenau, religious to fanaticism in _Savonarola_, shows himself in the
_Albigenses_ even cynically sceptical; he knows it, confesses it, and
laughs at it.
Schopenhauer denounced women, and at the same time was too warm an
admirer of the sex; he professed to believe in the happiness of Nirvana,
and then predicted for himself more than a hundred years of life.
II. Genius is conscious of itself, appreciates itself, and, certainly,
has no monkish humility. Yet the conceit seething in diseased brains
passes the limits of all truth and probability. Tasso and Cardan
covertly, and Mahomet openly, declared themselves inspired by God, and
the slightest criticism, therefore, appeared to them as deadly
persecution. Cardan wrote of himself, “My nature is placed on the very
limits of human substance and conditions, and within the confines of the
immortals.”[434] Rousseau believed that all men, and sometimes even the
elements, were in a conspiracy against him. Perhaps it is on this very
account that we have seen almost all these unhappy great spirits fly
from association with other men. Swift humiliated and insulted cabinet
ministers, and wrote to a duchess desirous of making his acquaintance
that the greater men were, the lower must they bow before him. Lenau had
inherited the pride of rank from his mother, and in his delirium
believed himself king of Hungary.
Public-domain text, read in full here on John Shaqi.
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