Monsieur Pierre, having uttered this ejaculation, stepped back and
rested his fat hands on his fat hips. As he surveyed the impromptu
butler, a shade of perplexity spread over his oily face. He smoothed
his imperial and frowned. This groom certainly _looked_ right, but
there was something lacking in his make-up, that indefinable something
which is always found in the true servant--servility. There was no
humility here, no hypocritical meekness, no suavity; there was nothing
smug or self-satisfied. In truth, there was something grimly earnest,
which was not to be understood readily. Monsieur Pierre, having always
busied himself with soups and curries and roasts and sauces, was not a
profound analyst; yet his instinctive shrewdness at once told him that
this fellow was no servant, nor could he ever be made into one. Though
voluble enough in his kitchen, Monsieur Pierre lacked expression when
confronted by any problem outside of it. Here was the regulation
swallow-tail coat and trousers of green, the striped red vest, and the
polished brass buttons; but the man inside was too much for him.
"_Diable_! you _luke_ right. But, no, I can not explain. Eet ees on zee
tongue, but eet rayfuse. Ha! I haf eet! You lack vot zay call zee real.
You make me t'ink uf zee sairvant on zee stage, somet'ing bettair off;
eh?" This was as near as monsieur ever got to the truth of things.
During this speculative inventory, Warburton's face was gravely set;
indeed, it pictured his exact feelings. He _was_ grave. He even wanted
Pierre's approval. He was about to pass through a very trying ordeal;
he might not even pass through it. There was no deceiving his colonel's
eyes, hang him! Whatever had induced fate to force this old Argus-eyed
soldier upon the scene? He glanced into the kitchen mirror. He
instantly saw the salient flaw in his dress. It was the cravat. Tie it
as he would, it never approached the likeness of the conventional
cravat of the waiter. It still remained a polished cravat, a worldly
cravat, the cravat seen in ball-rooms, drawing-rooms, in the theater
stalls and boxes, anywhere but in the servants' hall. Oh, for the
ready-made cravat that hitched to the collar-button! And then there was
that servant's low turned-down collar, glossy as celluloid. He felt as
diffident in his bare throat as a debutante feels in her first
decollete ball-gown, not very well covered up, as it were. And, heaven
and earth, how appallingly large his hands had grown, how clumsy his
feet! Would the colonel expose him? Would he keep silent? This remained
to be found out: wherein lay the terror of suspense.
Public-domain text, read in full here on John Shaqi.
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