Farms -- Fiction; Paranormal fiction; Single women -- Fiction; Spiritualism -- Fiction; Sussex (England) -- Fiction
It made a noble picture, and Ruth watched it for a few moments, her face
responding, answering to its beauty. She loved these landscapes of
England, loved them not only with her present self, but also with some
far-away depth of forgotten experience. And it seemed to her that she
loved with them also those “unknown generations of dead men” to whom
they had been equally dear. For these few moments, as she looked out
over the edge of the downs, she forgot the haunting evil which was
darkening all her days, forgot everything but the beauty of great space,
of the wild rushing wind, the freedom—the escape.
Odd bits of quotations came to her, as they always did in these moments;
one, more insistent than the others, sang, put itself into music, clear,
bell-like, mysterious:
“When I have reached my journey’s end,
And I am dead and free.”
And in that moment her sense of being in touch with Dick Carey came back
to her. Came flooding in like a great tide of help and encouragement and
power.
“And I am dead and free.”
And yet people were afraid of death!
The great winds came up from the sea across the earth-scented downs,
shouting as they came. She loved them, and the big dark masses of cloud.
She could have shouted too, for joy of that great sense of freedom, of
power, of control, because she was one with those magnificent forces of
nature. In her too was that strength and freedom which bowed only to the
One who is All.
The blood tingled in her veins; in the full sweep of the wind she was
warm—warm with life. She forgot Violet Riversley cowering at her side.
Forgot the little dogs crouching, tucked against her feet, and swept for
one wild moment out into the immensity of a great freedom. Then,
suddenly, the steel-blue line of sea broke into white, the storm-clouds
met and crashed, and lightning, like the sharp thrust of a living sword,
struck across the downs, struck and struck again. Heaven and earth and
the waters under the earth shuddered and reeled in the grip of the
storm, and Violet Riversley, screaming with terror, fell on her knees by
Ruth, clasping her, crying:
“Keep it away from me! Keep it away! God! I can’t bear it any longer!
Keep it away!”
And at her cry all the motherhood in Ruth’s nature, never concentrated
only on the few, leapt into full life and splendour, spread its white
wings of protection. And away and beyond her own love and pity she felt
that of another. Away and above her own fight was a greater fight,
infinitely greater. She picked the girl up into the shelter of her arms,
and her whole heart cried out in a passion of pity. She said odd little
foolish words of tenderness, as mothers will, for the form she held was
as light as that of a little child; just a shell it felt, nothing more.
And then, suddenly, the rain fell in one blinding rushing flood,
drenching the little group to the skin, blotting out everything with its
torrential flow.
Public-domain text, read in full here on John Shaqi.
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