Farms -- Fiction; Paranormal fiction; Single women -- Fiction; Spiritualism -- Fiction; Sussex (England) -- Fiction
The next instant she had thrown her dressing-gown over her shoulders and
was running bare-footed across the landing and down the stairs. Midway
across the big old hall she stopped dead, for on her had fallen, swiftly
and terribly, that old horror of her small childhood, a sense of
all-pervading blackness. It gripped her as forcibly as it had done in
those far-off days. Again she was a small utterly helpless thing in its
hideous clutch. The light streaming from under the sitting-room door
accentuated the blackness, gleamed evilly, assumed a sinister and
terrible importance.
Almost she turned and fled—fled out of the door behind her into the
storm-swept night, away to the clean air, to the darkness which was full
of beauty and healing. Not this—this that stifled, and soiled, and
buried. Away—anywhere—anyhow—from what was behind that flickering evil
light, which made the hideous blackness visible as well as tangible.
Almost, but not quite. That which the long years of patience and
endurance had built into her, held. Dick Carey had called to her. What
if he were in there, fighting, fighting against odds. For the world was
full of this Evil let loose, the vibrations became palpable, engulfed
her, beat her down. For a moment that seemed endless she fought for more
than physical life.
Then she moved forward again, and it was as in dreams when feet are
leaden-weighted and we move them with an effort that seems past our
strength. But she did not hesitate again. Steadily she opened the door.
Dragging those leaden feet she went in and closed it behind her.
A blast of hot air met her, insufferably hot. Some one had made up the
fire again. Piled high with logs it burnt fiercely. The room was in
disorder. In the far corner by the south window the little dogs lay
cringing with terror, trembling, while before them Larry crouched, his
white fangs bare, his lips lifted till the gums showed, his blazing eyes
fixed on the figure in the centre of the room—the figure of Violet
Riversley.
Before her, piled on the floor, were various articles, books and papers,
gathered together and heaped in the shape of a bonfire. At her feet lay
the bronze lamp. In her right hand she held the wick, still alight.
Curiously, the light from the blazing logs played on the long folds of
her white gown. Almost it seemed as if she were clothed in flame.
Public-domain text, read in full here on John Shaqi.
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