The Man Thou GavestComstock, Harriet T. (Harriet Theresa)
General
The Man Thou Gavest
Comstock, Harriet T. (Harriet Theresa)
Fiction
"I--I do think of you, Camby. You know as well as I that New York is at
your beck and call. What you say--goes! Call them now to see something
that will make them sure the world isn't going to the devil, Camden. In
this scene"--and here the woman pulled the manuscript back--"when that
little queen totes her heavy but sanctified heart up the trail, men and
women will shed tears that will do them good--tears that will make them
see plain duty clearer. Men and--yes, women, too, Camby--_want_ to be
decent, only they've lost the way. This will help them to find it!"
"We've got to have two strong men." Camden dared not look at the
pleading face opposite. But something was already making him agree with
it.
"And, by heavens, I don't know of but one who isn't taken."
"There's a boy--he's only had minor parts so far--but I want him for the
man-who-learned-his-lesson. You can give the big wood-giant to John
Harrington--I heard to-day that he was drifting, up to date--but I want
Timmy Nichols for the other part."
"Nichols? Thunder! He's only done--what in the dickens has he done? I
remember him, but I can't recall his parts."
"That's it! That's it! Now I want him to drive his part home--with
himself!"
Camden looked across at the vivid young face that a brief but brilliant
career had not ruined.
"I begin to understand," he muttered.
"Do you, Camden? Well, I'm only beginning to understand myself!"
"Together, you'll be corking!" Camden suddenly grew enthusiastic.
"Won't we? And he did so hate to have me slimy. No one but Timmy and my
mother ever cared!"
"We'll have this--this fellow who wrote the play--what's his name?"
"Truedale." The woman referred to the manuscript.
"Yes. Truedale. We'll have him to dinner to-morrow. I'll get Harrington
and Nichols. Where shall we go?"
"There's a love of a place over on the East Side. They give you such
good things to eat--and leave you alone."
"We'll go there!"
It was November before the rush and hurry of preparation were over and
Truedale's play announced. His name did not appear on it so his people
were not nerve-torn and desperate. Truedale often was, but he managed to
hide the worst and suffer in silence. He had outlived the anguish of
seeing his offspring amputated, ripped open, and stuffed. He had come to
the point where he could hear his sacredest expressions denounced as rot
and supplanted by others that made him mentally ill. But in the end he
acknowledged, nerve-racked as he was, that the thing of which he had
dreamed--the thing he had tried to do--remained intact. His eyes were
moist when the curtain fell upon his "Interpretation" at the final
rehearsal.
Public-domain text, read in full here on John Shaqi.
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