Adventure stories; Crime -- Fiction; New York (N.Y.) -- Fiction
"Is this an effort toward the justification of theft?" I inquired. For
the first time I saw a touch of deeper color mark her cheek. I had
been conscious of a certain duality in her mental equipment, just as I
could detect a higher and lower plane in her manner of speech.
"Not at all," she retorted. "I'm not talking of theft. And we may as
well keep to cases. I don't think very much is ever gained by being
impolite, do you?"
I was compelled to agree with her, though I could not shake off the
feeling that she had in some dim way scored against me. And this was
the woman I had once feared would try to toy with my coat-buttons.
"I'm afraid," she went on with her grave abstraction of tone, "that
you'll find me very matter-of-fact. A woman can't see as much of the
world as I have and then--oh! and then beat it back to the Elsie Books."
I resented the drop to the lower plane, as though she had concluded the
upper one to be incomprehensible to me.
"Pardon me, madam; it's not my windmills I'm trying to be true to; it's
one of my promises."
"The promise was a very foolish one," she mildly protested. "Yet for
all that," she added, as an afterthought, "you're intelligent. And I
like intelligence."
Still again her deep and searching eyes rested on my face. Her next
words seemed more a soliloquy than a speech.
"Yet you are doing this just to be true to your windmills. You're
doing it out of nothing more than blind and quixotic generosity."
The fact that my allusion had not been lost on her pleased me a little
more, I think, than did her stare of perplexed commiseration.
"Isn't is odd," she said, "how we go wrong about things, how we jump at
conclusions and misjudge people? You think, at this very moment, that
I'm the one who sees crooked, that I'm the one who's lost my
perspective on things. And now I'm going to do something I hadn't the
remotest intention of doing when you came into this room."
"And what is that?"
"I'm going to show you how wrong you've been, how wrong you are."
"In what?" I inquired as she again sat in silence before me.
"In everything," she finally answered, as she rose to her feet. I was
at once more conscious of her physical appeal, of her inalienable
bodily buoyancy, as I saw her standing there at her full height. The
deep flow of color in her loosely draped gown gave her an almost
pontifical stateliness. Instinctively I rose as she did. And I could
see by her eyes that the courtesy was neither negligible nor
distasteful to her. She was about to say something; then she stopped
and looked at me for a hesitating moment or two.
One would have thought, from the solemnity of that stare, that she
faced the very Rubicon of her life. But a moment later she laughed
aloud, and with a multitudinous rustling of skirts crossed the room and
opened an inner door.
Through this door, for a moment or two, she completely left my sight.
Then she returned, holding a cabinet photograph in her hand.
Public-domain text, read in full here on John Shaqi.
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