Adventure stories; Crime -- Fiction; New York (N.Y.) -- Fiction
"Don't you suppose he knew you were Witter Kerfoot, that among other
things you owned a house, and a car, that you were worth making a try
for? Don't you suppose he found all that out before he laid his ropes
for this wire-tapping story? Can't you see the part _I_ was to play,
to follow his lead and show you how we could never bring his money
back, but that we could face the gang with their own fire. I was to
weaken and show you how we could tap the tapper's own wire, choose the
race that promised the best odds, and induce you to plunge against the
house on what seemed a sure thing?"
I sat there doing my best to Fletcherize what seemed a remarkably big
bite of information.
"But why are you telling me all this?" I still parried, pushing back
from the flattering consciousness that we had a secret in common, that
I had proved worthy an intimacy denied others.
"Because I've just decided it's the easiest way out."
"For whom?"
"For me!"
"What made you decide that?"
"I've done a lot of thinking since you came into this room. And for a
long time I've been doing a lot of thinking. I don't do things Coke
Whelan's way. I took pity on him, once. But I'm getting tired of
trying to keep him up when he insists on dropping lower, lower and
lower every day. Don't imagine, because you've got certain ideas of me
and my life, that I haven't common sense, that I can't see what this
other sort of thing leads to. I've seen too many of them, and how they
all ended. I may have been mixed up with some strange company in my
day, but I want you to know that I've kept my hands clean!"
She had risen by this time and was moving restlessly about the room.
"Do you suppose I'd ever be satisfied to be one of those painted
Broadway dolls and let my brain dry up like a lemon on a pantry shelf?
I couldn't if I wanted to. I couldn't, although I can see how easy it
makes everything. I tell you, a woman with a reputation like mine has
got to pay, and keep on paying. She's got to pay twice over for the
decencies of life. She's got to pay twice over for protection. Unless
you're respectable you can't have respectable people about you. You've
got to watch every one in your circle, watch them always, like a hawk.
You've got to watch every step you take, and every man you meet--and
sometimes you get tired of it all."
She sat down, in the midst of her febrile torrent of words, and looked
at me out of clouded and questioning eyes. I knew, as I met that
troubled gaze, so touched with weariness and rebellion, that she was
speaking the truth. I could see truth written on her face. I tried to
imagine myself in her place, I tried to see life as she had seen it
during those past years, which no charity could translate into anything
approaching the beautiful. And much as I might have wished it, I could
utter no emptiest phrase of consolation. Our worlds seemed too
hopelessly wide apart for any common view-point.
Public-domain text, read in full here on John Shaqi.
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