Adventure stories; Crime -- Fiction; New York (N.Y.) -- Fiction
"And Mr. Kerfoot," continued the tranquil-voiced woman at the table,
"says he has a house in Gramercy Square where we can go and have a
conference. I've phoned for a telegraph operator called Downey to be
there, so we can decide on a plan for tapping McGowan's wire."
"And what good does that do me?" demanded the mummy-faced youth.
"Why, that gives Mr. Kerfoot his chance to bet as much as he likes, to
get as much back from McGowan as he wants to, without any risk of
losing."
"But who handles the money?" demanded the wary Whelan.
"That's quite immaterial. _You_ can, if you're his friend, or he can
handle it himself. The important thing is to get your plan settled and
your wire tapped. And if Mr. Kerfoot will be so good as to telephone
to his butler I'll dress and be ready in ten minutes."
She leaned forward and swung an equipoise phone-bracket round to my
elbow.
But I did not lift the receiver from its hook. For at that moment the
door abruptly opened. The maid in the white cap and apron stood
trembling on its threshold.
"That's a lie!" she was crying, in her shrill and sudden abandon, and
the twin badges of servitude made doubly incongruous her attitude of
fierce revolt. "It's a lie, Tony! She's welched on you!"
She took three quick steps into the room.
"She's only playing you against this guy. I've heard every word of it.
She never phoned for an operator. That's a lie. She's throwing you
down, for good. She's told him who you are and what your game is!"
I looked at the other woman. She was now on her feet.
"Don't let her fool you this time, Tony," was the passionate cry from
the quivering breast under the incongruous white apron-straps. "Look
at how she's treated you! Look at your picture there, that she cinched
her talk with! She never did half what I did for you! And now you're
letting her throw you flat! You're standing there and letting--"
The woman stopped, and put her hands over her ears. For she saw, even
as I did, the hollow-eyed, mummy-faced youth reach a shaking hand back
to his hip.
"You liar!" he said, as his hand swung up with the revolver in it.
"You lying welcher!" he cried, in a thin and throaty voice that was
little more than a cackle.
He took one step toward the woman in the rose-colored dressing-gown.
She was, I could see, much the taller of the two. And she was
standing, now, with her back flat against the wall. She made no
attempt to escape. She was still staring at him out of wide and
bewildered eyes when he fired.
I saw the spit of the plaster and the little shower of mortar that
rained on her bare shoulder from the bullet-hole in the wall.
Then I did a very ordinary and commonplace thing. I stooped quickly
forward to the end of the table and caught up the nickeled coffee-pot
by its ebony handle. The lunatic with the smoking revolver saw my
sudden movement, for as I swung the metal instrument upward he turned
on me and fired for the second time.
Public-domain text, read in full here on John Shaqi.
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