Adventure stories; Crime -- Fiction; New York (N.Y.) -- Fiction
Yet I stood there, undecided, watching the last of the scattering
crowd, watching the street that still seemed an elongated bull-ring
where a matador or two still dodged the taurine charges of vehicles. I
watched the electric display-signs that ran like liquid ivy about the
shop fronts, and then climbed and fluttered above the roofs, misty and
softened by rain. I watched the ironic heavens pour their unabating
floods down on that congested and overripe core of a city that no water
could wash clean.
Then the desolation of the empty streets seemed to grow unbearable.
The spray that blew in across my dampened knees made me think of
shelter. I saw the lights of the theater no more than twenty paces
away. It was already a warren of crowded life. The thought of even
what diluted companionship it might offer me continued to carry an
appeal that became more and more clamorous.
A moment later I stood before its box-office window, no wider than a
medieval leper-squint, from which cramped and hungry souls buy access
to their modern temples of wonder.
"Standing room only," announced the autocrat of the wicket. And I
meekly purchased my admission-ticket, remembering that the head usher
of that particular theater had in the past done me more than one slight
service.
Yet the face of this haughtily obsequious head usher, as his hand met
mine in that free-masonry which is perpetuated by certain silk-threaded
scraps of oblong paper, was troubled.
"I haven't a thing left," he whispered.
I peered disconsolately about that sea of heads seeking life through
the clumsy lattice of polite melodrama.
"Unless," added the usher at my elbow, "you'll take a seat in that
second lower box?"
Even through the baize doors behind me I could hear the beat and patter
of the rain. It was a case of any port in a storm.
"That will do nicely," I told him and a moment later he was leading me
down a side aisle into the curtained recess of the box entrance.
Yet it was not ordained that I should occupy that box in lonely and
unrivaled splendor. One of its chairs, set close to the brass rail and
plush-covered parapet that barred it off from the more protuberant
stage box, was already occupied by a man in full evening dress. He,
like myself, perhaps, had never before shared a box with other than his
own acquaintances. At any rate, before favoring me with the somewhat
limited breadth of his back, he turned on me one sidelong and
unmistakably resentful stare.
Yet I looked at this neighbor of mine, as I seated myself, with more
interest than I looked at the play-actors across the foot-lights, for I
rather preferred life in the raw to life in the sirups of stage
emotionalism.
Public-domain text, read in full here on John Shaqi.
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