"And what's more," I suddenly cried, exasperated by that play-acting rôle and rising and confronting him as he stood there, "your name's not Wilkins, and you never got that wrist scar from a coach door." "Why not, sir?" he gently but most respectfully inquired. "Because," I cried, stepping still nearer and watching the immobile blue-white face, "in the gang you work with you're known as Sir Henry, and you got that cut on the wrist from a wedge when you tried to blow open a safe door, and the letters of introduction which you brought to the Whippeny Club were forged by an expert named Turk McMeekin; and I know what brought you into this house and what your plans for robbing it are!" There was not one move of his body as he stood there. There was not one twitch of his mask-like face. But on that face, point by point, came a slow suffusion of something akin to expression. It was not fear. To call it fear would be doing the man an injustice. It began with the eyes, and spread from feature to feature, very much, I imagine, as sentient life must have spread across the countenance of Pygmalion's slowly awakening marble. For one fraction of a moment the almost pitiful eyes looked at me with a quick and imploring glance. Then the mask once more descended over them. He was himself again. And I felt almost sure that in the mellowed light about us the other two figures at the table had not seen that face as I did. There was, in fact, something almost like shame on Van Tuyl's heavy face as the calm-voiced servant, utterly ignoring me and my words, turned to him and asked if he should remove the things. "You haven't answered the gentleman," said Beatrice Van Tuyl, in a voice a little shrill with excitement. "What is there to answer, madam?" he mildly asked. "It's all the young gentleman's foolishness, some foolishness which I can't understand." "But the thing can't stand like this," protested the ponderous Van Tuyl. There must have been something reassuring to them both in the methodic calmness with which this calumniated factor in their domestic Eden moved about once more performing his petty domestic duties. "Then you deny everything he says?" insisted the woman. The servant stopped and looked up in mild reproof. "Of course, madam," he replied, as he slowly removed the liqueur glasses. I saw my hostess look after him with one of her long and abstracted glances. She was still peering into his face as he stepped back to the table. She was, indeed, still gazing at him when the muffled shrill of an electric bell announced there was a caller at the street door. "Wilkins," she said, almost ruminatively, "I want you to answer the door--the street door." "Yes, madam," he answered, without hesitation. The three of us sat in silence, as the slow and methodic steps crossed the room, stepped out into the hall, and advanced to what at least one of us knew to be his doom. It was Van Tuyl himself who spoke up out of the silence.